Archive for May, 2010


Released: May 27th, 2009
Suomen Musiikki/ Massacre Records

Tracklist:

1. Angelheart, Ravenheart (Act II: Children Of The Dark Waters)
2. Baptized By The Blood Of Angels
3. Tears Of Autumn Rain
4. Summon The Wild
5. Sea Of Whispers
6. Midnight Bird
7. Diary Of Demonic Dreams
8. When The Darkest Night Falls
9. Nocturne Thule
10. Sea Of Whispers (Acoustic Reprise)


EToS
is the band that could never be put in a specific category, due to its many influences: black metal, melodic death metal, symphonic and, of course, gothic metal. After several important changes in the line-up and another long waiting for the fans, this is what we get with Children of the Dark Waters: a masterpiece!

It is a flaming album, despite of the cold, depressive artwork. It has depth and layers, which makes it listenable for the long term. It reminds me of my personal favorite, Fallen by FOR MY PAIN…, an album that still has much to offer me, even after 6 years. Though different in genre, these two bands actually have something in common: Jarmo Kylmänen has been working with both. Is CotDW resembling the last material or the earlier works? Well, it is a mixture of everything, plus something more. The album brings together many of the delicacies that built the band’s reputation. Being a huge fan of A Virgin And A Whore and Chaotic Beauty, I was healed of my nostalgia. Certain songs remind me of their previous masterpieces, in terms of melody, guitar works and aggressive + emotional attitude. Female vocals are also present, and the guests for this album are the wonderful Miriam Renvag of RAM-ZET and Heidi Parviainen of AMBERIAN DAWN. Lyric-wise, CotDW goes from tales of tormented souls to mysterious dark fantasy of the North. Coldness, sorrow, revenge, all are present and veiled in a feeling of apocalypse.

As soon as the opening track begins – Angelheart, Ravenheart (Act II: Children of the Dark Waters) – one is facing a solemn atmosphere and darkness, as well as the anticipation of a serious symphonic layer. The attempt in this album is to sound harsh, more bitter and more aggressive. Also Baptized By The Blood Of Angels and Summon The Wild prove it. The gothic influences are strong, yet the darkness of this musical pieces comes from the whole blend of various styles elements. Baptized… is probably the best of this material, with hypnotizing, fast guitar riffs that build an outstanding, aggressive and menacing tune. What is the general atmosphere and lyrics content is well shown by the chorus of this track: Baptized by the blood of angels,/ Gained the heart of the darkest kind,/ In his veins flows the soul of ravens/ For the end… For the dusk of humankind“.

Tears Of Autumn Rain was the choice for a single, for being so catchy and impressive in its keyboard parts. With the words ‘tears‘, ‘autumn‘ and ‘rain‘, no one can point to anything else but the EToS tradition. One great surprise is Sea Of Whispers, a ballad which reminds of The River Flows Frozen. No, it’s not a daring comparison. It’s simply a remarkable track. If the vocals sound similar to you, just note that Jarmo is Juha’s brother. The song begins with an emotional piano part, introducing Jarmo’s scorching vocals, draining all life and hope: When the last angel’s falling above the crimson sea,/ By the sun’s final rising, I don’t even see“. And so begins this vision of an apocalypse, very well marked with Allti‘s growl towards the end. Well put effect.

The second half of the album goes a bit more epic, which can be heard especially in When The Darkest Night Falls. Not an impressive track, though. What doesn’t go unnoticed is ‘Midnight Bird’, the one that managed to remind me of EToS classics such as Aeon and Nocturnal Strains, but without those key arrangements.Diary of Demonic Dreams is the big surprise of the album (either good or bad, depends on your taste). The clean vocals here are in the heavy/power area. Until Altti’s voice came in, I had the feeling I was listening to a whole different band! However, this heavy-oriented song proves the diversity reached by EToS.

With Nocturne Thule starting a bit boring, hopes tend to be less high, but this song is actually a Northern anthem full of splendor! It breaks the general sorrow and grimness with its ascending and inspiring melody line. The soaring chorus done by the choir is something to remember! And with these lyrics to support it, you get an enchanting song: “When the winter night is the guide out of the light/ You’ll see the sky of northern lights/ I have seen the flames inside burning too bright/ We’ll share this cold and freezing night“. It may sound like old NIGHWISH to some, though, due to the female vocals/ male clean power-style vocals combo.
The closing track is the acoustic version of the balled Sea of Whispers. Not absolutely necessary, but very nice work, a pleasure for the ears and for the darkened soul…

A minus: not enough consistency of the harsh vocals.

For 2009, CotDW is an important comeback and affirmation of the Finnish metal. An album with interesting touches, with songs going from insane, fast rhythm sustained by the pedal and slow, thoughtful, emotional parts. Could feel repetitive at first, but it’s the type of material that unfolds with every spin and, nonetheless, with some love for the sophisticated and sorrowful metal of Northern Finland. For its type, it is strong, speedy and melodic enough to enslave you.

8.5/10

Eternal Tears of Sorrow is:

Altti Veteläinen – vocals, bass guitar
Jarmo Kylmänen – clean vocals
Jarmo Puolakanaho – guitar
Mika Lammassaari – guitar
Janne Tolsa – keyboards
Juho Raappana – drums

Links:

http://eternaltears.info
http://www.myspace.com/etos1
http://metalfromfinland.com/Eternal%20Tears%20Of%20Sorrow

“These woods breathe evil!
Rust on the ground and the arches of fire!
These woods breathe evil!
Here in the circle of eerie winds
Towards the black heart of magnetic North!”

When good old bands started to be disappointing (no, I’m not giving names this time!), others emerged, like the so-and-so Thunderstone whose latest album (‘Dirt Metal’) was a very positive surprise.
Now, having reached a certain state of gloomy mindset due to the path of my life, I finally emerge into a genre that I’ve been avoiding.
So, allow me… I guess it’s not too late to write about the most fantastic band that I’ve looked over… It’s SWALLOW THE SUN. It has always been there, perfecting itself with every album and never making a step away from their so great recipe. Well, why overlooked? Because I’m not much into the doom category. However, this band is so much more than that. The gothic touch adds value, instead of making it sound more commercial. Also, one of their very strong sides is the use of both death grunts and black metal vocal styles. It makes the songs diverse, with beautiful layers and definitely a new depth.And think that only MIKKO KOTAMÄKI is responsible for this! Well, if I were him, I’d have a huge insurance policy for my vocal chords and lungs… Damn precious stuff he’s got!

On New Moon (released November 2009),some songs incorporate harmonies similar to what we hear from bands like Amorphis. This very Finnish melodic sound is a great add to their dark, doom-ish sound. Now it’s interesting how some say this band has evolved towards melodic death. Hmmm. Definitely something is there, yet it can’t be compared to the names of that genre. Perhaps that Finland is inventing a new breed of melodeath? Could be… Finnish metal bands have always walked their own path, anyway!

The opener, These Woods Breathe Evil, is a stunning and haunting work. I have started this post exactly with lyrics from this one. I love it. It is hallucinating, as the images drift from the Northern woods to the closed room – an image ever present in StS’s music.

“Black lodge and red rooms of insanity
Here I reached the point of no return
With my hands around you they chased me here
To this hotel of ghosts
And they showed me this room…”

Remember Don’t Fall Asleep (Horror pt. II)? That’s another work of art that shines like a diamond!
The title track begins like a typical Sentenced song, I was very surprised to hear it! Clean vocals build the chorus, which sounds like a sad plea or lament. It’s an unusual song for StS, but it can’t fail to make it big. With this one, they’re getting close to Katatonia. …And Heavens Cried Blood is another top song for me. It starts with a gloomy guitar sound, then the full instrumentation takes over, following the same haunting melody. I love how the black metal vocals kick in after the growl, I just love it! The second half of the song turns to a slower bitter side – this is pain and despair, what else did you expect? The remaining songs show the very heavy side of the band, and Weight of the Dead surprises me by plunging into a fabulous upbeat part!

The artwork that comes along with the album is very different from what we previously had. It imitates the graphic style – the technique and ornament of Medieval works. This is perfect for a very simple color scheme, which is nonetheless charming, as well as haunting.
I know that StS may be a bit hard to digest to most people, it’s quite special in the hall of Finnish bands, but New Moon is diverse enough to get the attention of many. I love the dark atmosphere and the ‘weight’ of this record. No wonder why so many people were very enthusiastic about it. Many bands have failed in keeping their strength; StS is not among them!
I’m searching for the words to describe this album, but it’s hard to find them. There’s a mix of dark states of mind, of something strong and something that falls apart, crumbling down… of anger that turns too soon into total weakness… The emotions come clear through it. Perhaps “rebellious agony” could be a good description.

Alright, but just in case you might get too depressed…. here’s something to cheer you up: watch the adorable and funny JUHA RAIVIO of StS being interviewed for Metal Gods TV (@ Hammerfest 2010, Wales) ;-) It’s worth it!

 

10/10

 

Links:

www.swallowthesun.net

www.myspace.com/swallowthesundoom

www.facebook.com/swallowthesun

MORS PRINCIPIUM EST - the ruler of the underrated, but extremely potent bands out there. I hear more and more people who mention it, and heavy club djs have it in their playlists. It can’t be a bad situation then! But it’s surprising to see that Finland itself doesn’t know much of it. The band exists for several years and has 3 amazing albums. I will be very daring in praising them – not just because I love them, but also because those who had the chance to hear MPE share the same feelings. That is, if they have an appreciation for melodic death metal. It’s pretty much unlike CoB, Norther or other Finnish bands in the genre, instead being closer to Swedes like Dark Tranquillity, yet with some dark melodic side typical for Finland. While the guitar sounds in the typical Finnish way and thus outstands from the landscape, the bass and drums have much drive and make a strong base. The very fast guitar pace is sometimes crossed with electro elements, all being just a bit of spice to make MPE unique and to sustain the atmosphere. It’s no cheesy mix, no clean vs. growl vocals or other popular tricks. It’s like a storm, with very dark clouds gathering tight, and with fierce lightning dancing behind. Try ‘Pure‘, ‘The Lust Called Knowledge‘ or ‘Eternity’s Child‘ (amazing solo!). And, whether you like then or not, also listen to ‘Into illusion‘. This track is somehow apart from all the others. I think it’s a masterpiece with no genre, just Finnish metal. It starts with a slow part that grows gradually, very captivating. Soon comes the surprise element – Jori Haukio’s clean vocals, extremely soft and sad, in a low tone that just made want a whole album sung like that. Then plunges into a frenzy of harsh vocals and a chorus in which the drum is the king. The gradation keeps going to the end, with the same drum being the spine of it, now in a different pace. Stunning!

Inhumanity‘, the first album, was released in 2003, the golden year for Finnish metal in my opinion. ‘The Unborn‘ and ‘Liberation = Termination‘ followed. Every melodeath listener should have heard of these. It’s a band that might grow on you and provide a good moment whenever you’re looking for one. Also, if you’re a headbanger, there will be something serious to work it on!
Official website
Myspace

SHADE EMPIRE, formed in Kuopio in 1999, exhibits a black metal with strong symphonic and electronic elements. I was quickly blown away, because these guys are not shy to incorporate in their music a strength that is rarely seen. This kind of majestic arrangements and atmosphere could put them in the gallery – with no exaggeration – next to DIMMU BORGIR, although they’re not aiming for any sort of ‘true black metal’ or Norwegian gloominess. Their tracks are driven by an intimidating force and darkness. However, instead of having just a sort of ‘black metal solid block’, we have an exciting long journey. The way SE puts the electronic elements is simply insane. In ‘Harvesters of Death’, for example, there is one part that reminds of creepy alien movies and it’s quite cool. ‘Victory’, after having displayed a fast and crushing guitar part, like the frenzy in a battle, ends with an unexpected but very well put saxophone melody. The well-known Marco Hietala joins the band to create a bitter, melodic and unforgettable chorus on ‘Human Sculpture’. This one is also my favorite lyric-wise, as otherwise I’m not too impressed by their writing skills or ideas. In the end, to be honest, I gave up caring about this, because the music is simply too much. Whenever and to whatever SE song I listen to, I find myself amazed at all the delicious effects and details they were able to mix. Juha Harju also plays bass in AJATTARA, another top band for me. Obviously I like my black metal to be diverse, with the dark, sinister atmosphere and anger mixed together. I listen to the ‘first wave’ too, but I’d rather have a daring and tasty mix.
I could recommend any song from this band. ‘Silver Fix’ has that kind of grandeur of symphonic black metal that’s just too thrilling. Yes, thrilling, that’s one good word for this band. Also,‘Pain and Pleasure’ would stop its anger for a lovely surprise, delivering a solemn, dark moment of tension.

Official website
Myspace

What I Know About Finns – PART III: Drinking

Where is this myth coming from? that Finns drink more than others, when official charts clearly show that alcohol consumption is higher in over a dozen of other countries?! Check the official facts and you will be amazed:

http://www.greenfacts.org/en/alcohol/toolboxes/table3.htm
At alcohol consumption per capita, Finland comes only after 20 other countries.

http://www.greenfacts.org/en/alcohol/figtableboxes/table4.htm
# 18 in beer consumption. Doesn’t even appear in the wine and spirits charts.

More downloadable charts here.

http://ec.europa.eu/public_opinion/archives/ebs/ebs_272b_en.pdf
The abstainer’s chart. Finns drink in general/in greater numbers, maybe that’s where the fake image comes from. And they seem to drink more, when they decide to do so (see the charts).
Only on one occasion Finland tops the charts, that being at the question “Do you think higher prices for alcohol would discourage young and heavy drinkers?” 60% of Finns replied Yes. They’ve already been through a time when drinks were expensive enough and now the prices stand at a lower level than before, obviously making alcohol more handy. If prices would decrease even more, only 9% of Finns would buy more alcohol. Again, see the questionnaire answers.

Alright, but here’s the questions that persists:

Why are Finns seen as such heavy drinkers?
It could be due to what I mentioned before – the higher percentage of population that engages in alcohol consumption. Might be the weather also…

Here’s my view on it:
I’d say it’s rather about the attitude. Of course, I can compare this to the habits of my native country. Here, people drink ‘quietly’ and usually in bars. But Finland has a very different culture. It’s fun to make drinking an event! “Let’s drink!” – the simple phrase that brightens the eyes, brings a smile and renews one’s energy. It’s a social event. It is very common that during summer festivals, attendants barely get to see any of the present bands, because they’re too busy getting drunk or, later on, being wasted. They are allowed to be so! And it’s also fun when you’re not allowed to drink, so everyone takes some beer to the forest, to the parks, even to the public squares. Alright, but why is drinking itself so much fun? Because it brings quite a change… Here we have 2 different attitudes: in some cultures, alcohol makes people be what they’re not, while Finns drink to become themselves. Sure, some of them have beaten their wives, killed their neighbour with an axe or whatever, but most of them drink in order to be free from the frustrations and fears they usually have. It’s not easy being a Finn. It’s in their nature to be shy, somewhat fearful, melancholic, very reserved, giving so much space to others that they won’t manage to reconnect. To fill the gap between them and the rest of the world, such social inhibitions must disappear. It’s the alcohol that does it. It acts like a lubricant in these social encounters. If they do something stupid, they can just blame the drunkenness.

Thus the Finns (who are highly capable of being charming and having entertaining conversations) dare to approach somebody, to see the bright side of a situation and to start speaking. I’ve seen this many times: they love being around people as much as they love being all alone. It’s like they have 2 types of batteries – the ones that recharge by togetherness and the others, recharging in solitude. Finns love to communicate and they need it. When talking to somebody, it’s like getting reassured that you’re able, that you matter as an individual. You get the feedback you were looking for and sure that makes you feel better. Unfortunately, some of us can be open to communication only when the chemicals in the brain are modified. So, this is how you get a genuine friendly Finn: let him/her drink! :-)

However, don’t expect the wonder to last. When alcohol is too much, you won’t get anything of what they say; or, the next day they will return to the before-drinking mood.
But hopefully, they will remember that they trusted you and that they had a good time.

I’ve seen enough Finns while indulging in drinking, yet never had a truly bad time because of it. They have to do that, to fool their demons for a while…

If, after this little exploration of Finnish drinking culture, you feel sympathy for it, maybe you want to check the Drunk Moose design :-) at MFF SHOP >>

Countless lines are still being written on this! I won’t make any grand intro, but begin with bringing to your attention a magnificent work that every metalhead/rocker must know of – the ‘Promised Land of Heavy Metal‘ documentary (watch trailer here). It’s a successful work and there are plenty of replay requests to the Finnish tv. As you probably guessed, it deals with our beloved country that we’re dealing here with. It’s the story of Finnish metal, involving not only artists of the scene and their fans, but also psychologists, priests and even the President of Finland. How can that be possible? Well, perhaps that every Finn must be aware of the metal culture they have there. It’s hard to miss it, as there are so many long-haired people dressed in black and so many rock bars in Helsinki, in very popular areas. Luckily, the general attitude is not guided by prejudice and close-mindedness.

It’s been a while since everybody is talking about how “metal became mainstream in Finland“. Most of us are shocked to hear this. ‘Metal’ and ‘mainstream’ don’t go well together, do they? Metal is by definition the music that stands against the mainstream. Then, what exactly is this phenomenon? First, I think it’s only a sort of mainstream. Not any band of any genre can get an impressive number of listeners. Not everybody will enjoy growls or other form of aggressive singing. However, more and more bands have made it to the album and single charts, often topping the international pop stars. Metal tunes pop out from radio stations and you hear them while passing to the supermarket. Crazy festivals take place in every notable city during summer and so on. Not to mention the huge number of bands that are known beyond the boundaries!

Kamppi, Helsinki: Finnish metalhead gone shopping. Notice the subtle humor - the Christmas-themed bag :)

If metal became mainstream over there, it may be because of these: 1) already having a strong base; 2) the open mind and the understanding of everyone else. It can’t become mainstream from misconceptions. We’re not all born knowing what metal is. Most people of the planet don’t even know what it sounds like. Hearing Metallica on MTV can’t be enough. They don’t even want to know more. Therefore, they build misconceptions and stay away. Or they hear of the black metal atrocities and put the evil stigmata on the entire genre.

Now, what makes a Finn be so metal? In a determinist tradition, most say that it’s the weather. Moving onto the cultural level, we are reminded that Finns have this special way to be, that they care about their myths and ancestral traditions, they are deep and in contact with nature. Add the honesty, the love for the deeper thoughts and knowledge, the existential turmoil and gloomy inner atmosphere. Add the tormented history, with its unbelievable ‘Winter War‘. It’s the most fertile territory for the metal philosophy. Deep and sad, melancholic yet strong and straightforward…
But metal also means strength, determination and endurance. Just what Finns have proven during the past centuries! Foreign domination tried hard to oppress their spirit, but the ancient traits remained strong and now have emerged with incredible energy in the heavy scene. The result is a widespread frenzy and a feeling of identity.

Crowd at TUSKA metal festival 2009, Helsinki

Two of the best appreciated bands in Finland (as well as abroad) are ENSIFERUM and AMORPHIS. Both get their lyric themes from battles, distant heroic times and from the national epic Kalevala. While the youth usually tends to stay away from tradition, dusty books and consider folklore as too out-of-date, many of the Finns are now fallen under the spell of their own myths and heritage.

How about the metal masses ( metallimessu)? The Washington times , Austria’s Heraldsun or this Russian website prove that this had been in the news all over the world. Not to mention the tv programes I’ve seen myself! Yes, Finns praise the Lord with heavy music. To them, music alone is beyond the idea of good and evil. Music is human, made from and for humans’ feelings. Even if it’s heavy, it still falls in the same category. At first sight it may seem as a trick to atract teenagers to church, but in fact it only gathers those who have love for God, as well as for metal. And they show to the rest that it’s possible.

Metal seems to overcome any false principle in Finland!

It was year 2000, meaning over 9 yrs ago, when I first had contact with what I was about to call ‘my true brothers in the North’. In all this time I haven’t spent a day without establishing a connection in some way with these people: reading articles, history and literature, observing forums and discussion boards, looking through thousands of pictures, listening to their music (of course!) and especially talking to them.
Now, when it’s been almost a decade of proud Finnish passion, I’m asking myself: what have I gotten to know about them?

I took only my personal experience first, to let me see for myself what they are about. The first Finn I truly got to know is still my friend even after 8 yrs, in which we’ve grown apart, as quite different individuals, and even argued much. So, today I can tell that Finns care for a friendship. This was not the only one to show me loyalty. Looking at the changing figures around me, I see how life brings people together only to separate them after a while. And I see that the constant figures are mostly Finnish…

View full article »

Best of 2009

As we dry all those booze bottles, watch the confusing lights in the Christmas tree, devour the candy and text our friends like mad, we can’t forget to turn on the player and pump those songs that have been blasting throughout the year… Yes, it’s the time for all that we’ve listened in 2009 and that we will probably keep listening to!
It was not a bad year in music… even though CHARON & WINTERSUN didn’t release any new material, not even now! :( Northern Finnish bands such as EToS, however, were present in the charts and, as expected, they’re featured in the final ones also! Big names have been around, hitting the scene with new releases, some of them disappointing, unfortunately… But this is only my subjective post and no official thing. 2009 was rich in new music, not everything being of top quality.
Let’s take a look at the events and releases:
It happened in 2009…

Lower the flags,
a good man has passed…

Miika Tenkula, the amazing guitarist of SENTENCED (1989-2005), died on 19 February, bringing grief to countless metal fans all over the world. One of the greatest talents of Finland was lost, but we have his ever-charming music to remember us what once was…Related websites, forums and MFF itself were flooded with hundreds of messages from fans – reactions and proofs of care that one can never forget!
EMBRAZE, featuring the member of CHARON, guitarist Lauri Tuohimaa, calls it quits.
In January, DEATHLIKE SILENCE is back with an amazing album that points out their original style even more (Saturday Night Evil, review here), while ENTWINE doesn’t shine much with Painstained.
TRACEDAWN, the very young melodic death metal band which got noticed from the debut, plays at WACKEN.
In April – NORTHER, left behind by Petri Lindroos, finds replacement – Aleksi from MEDICATED and make new appearances as soon as possible, including a show at TUSKA. The black/dark metal band AJATTARA comes by with Noitumaa, definitely one of the weirdest creations out there.
May is the month of the big releases, the strong move of the Finnish metal in all its splendor – AMORPHIS make it big time with the world-praised Skyforger, another Kalevala-based album with touching melodies and amazing production. A clear #1 in Finland’s charts. STRATOVARIUS comes with Polaris, a nice work but which didn’t move me much, because it had nothing of the former glory. And finally, ETERNAL TEARS OF SORROW are back with what I consider to be my #1 for 2009: Children of the Dark Waters (entering the national charts at #19, review here). Symphonic and deep, dark and powerful, it proves that this band can reinvent its own style and come with excellent composition ideas.
A much-praised effort comes from INSOMNIUM, the band that has been in a constant good shape and established itself as a worthy name. Across the Dark was probably the most anticipated album among the Finnish metal fans – and far from being a disappointment! Also SWALLOW THE SUN, now closer to the Finnish gothic mood and sound, launches the interesting New Moon (I wonder, is it connected to the Twilight series?!), which has become a true and maybe eternal love for me.
AMBERIAN DAWN, THE 69 EYES and SONATA ARCTICA had their new materials released too, but failed to make an impression on me. Only SA’s single & video Flag in the Ground was somewhat catchy. Looks like it was much more for the Finnish scene, since the album (The Days of Grays) was certified gold in day 1. This was in autumn, about the same time when ENSIFERUM hit the market with the exciting From Afar, entering the charts at position 9. From this, we also benefit of a delightful video with fine Nordic warriors… The album is good enough, dynamic, typical for the band. No step forward, no step backward, just a more symphonic, pompous sound. Too bad it kind of lacks a sort of anthem song which I hoped for.
The autumn is also the moment when THUNDERSTONE strikes. Yes, strikes. In my opinion, they’ve been around every now and then, but never hit any sensible spot. With Dirt Metal, however, there’s a boost that can’t go unnoticed. I Almighty is a singletrack with no flaw! TS is highly capable of very heavy riffs and bass, as well as a great vocal performance! This tune has become one of my personal anthems and from now on I keep an eye on this band.
Looking forward to 2010 now… Have a wonderful, very metal and happy New Year!!!


Label: Spinefarm Records
Released: January 28th, 2009

Tracklist:
1. Trapped in the Night
2. And You Cry
3. Who’s Gonna Bury Me
4. Dagon
5. Till Death Tears Apart
6. Troops of Armageddon
7. Shadows Fall
8. The Headsman
9. They’ll Eat Us
10. Moonlight Shadow
11. Burning Flesh

With a very surprising debut album, DEATHLIKE SILENCE raised high expectations among fans. The new release sounded quite repetitive at a first listen, but with a second chance it revealed the flavor of each song and the talent of these musicians. Once again, sinister atmosphere, with a bit of dark humor added, gothic mood, bitterness, romance and strange tales, spiced with the purest Finnishness out there.
Flawless interpretation from Ms Maya, with her deep and full voice. There is really nothing to criticize about the vocals, instrumentation or production. The weak spot is the lack of variety within the songs. There used to be much more of it on the previous album, thinking of fast-paced songs, the melancholic ballads and many in between, making it more surprising and spectacular.
The opener, ‘Trapped in the Night’, is a rather mellow song, followed by a faster and energizing one, ‘And You Cry‘. ‘Who’s Gonna Bury Me’ is the first ‘heartbreaking song’ of the material, starting with a wonderfully sad piano intro and plunging into downhearted guitar riffs. ‘Dagon’ is one of my personal favorites, with a totally catchy melody, strong rhythm sustained by the vocals and a chorus that makes you want to sing/shout along. The mood turns to sadness again with ‘Til Death Tears Apart’ – a great job with the chorus here, in my opinion. Truly haunting, and the same can be said about ‘The Headsman’, which is the next track worthy of attention. Loads of it! Going through the second half of the album might be a bit boring, but the fans will surely be interested in the ‘Moonlight Shadow’ cover.
All in all, this second release is somewhat repetitive and not so spectacular, compared to “Vigor Mortis“, but the perfect sound, the delightful guitar solos, the atmospheric keys and – of course – the unique vocals of Ms Maya make it worthy for more than one spin.

8/10

DEATHLIKE SILENCE is:

Maya Liittokivi (vocals)
Ville Taina (guitar)
Elmo Karjalainen (guitar)
Janne Venho (drums)
Tobias Björkwall (bass)
Tuomas Yli-Kovero (keyboards)

LINKS:

http://www.deathlikesilence.com

http://www.myspace.com/deathlieksilencerules
http://www.metalfromfinland.com/Deathlike+Silence

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