Archive for July, 2010


LULLACRY: We are still very much alive!

LullacryLullacry simply vanished from the Finnish metalscene few years ago and I for one happened to miss them a lot. What ever happened to them was never told to public at least through media so it was my pleasure to get the chance and interview the guitarist/composer Sami and vocalist Tanja. And of course ask what is going on in the Lullacry camp these days.

So how has this ongoing heatwave taken in Lullacry-camp?

Sami: No Perkele! We have been drinking a lot! Even water :) We’ve had a solid 35 degrees Celcius in our training camp and it makes a person sweat…a lot! In a kinky and perverted way it’s cool cause that way you can get yourself in this gig mood since you are sweating like there’s no tomorrow…and beer is always good haha :)

Tanja: For once we have this long and hot heatwave here in Finland so we shouldn’t complain. Let’s just make the most of it.

Sami: That’s our Tanja, all about summer. She even changes her colour to dark brown during the summer.

Tanja: Hehheh

In the statement on your website it says Lullacry is without a label at the moment. What happened and has there been any chances on that recently?

Sami: Well things got actually as screwed as humanly possible. We got offers from many labels and from those we ended up with this german label. Then started the process of making the deal itself, going through details of the contract and it was process that lasted many months. And then one day all communication completely stopped. Just like that. After trying to contact them numerous of times we got a response from their head of A&R that “sorry guys, I couldn’t get all the label people behind this.” I was like “What? You guys sort of reserved us for 9 months and then you give this?”. Well I realized the whole situation while reading Soundi-magazine where they told that the label went bankrupt. They are operating again nowadays so they probably got their shit sorted out.

But even if we had all the studios reserved, we would’ve got Hiili Hiilesmaa to produce the album it was for the best that it didn’t happen back then. Cause the new songs and the situation in general is so much better now. Maybe we started proceeding this whole thing too carelessly with a demo that wasn’t as good as it could’ve been and even the songs were still looking for shape.

And yes at the moment we are without a label. Not that we have actively even looked one either. We are focusing now on making new music and just taking our time to see what happens. We’ve been contacted all the way from Japan but we are not going to move forward until we are 100% happy with the songs and everything surrounding them. I do have a record full of songs ready so basically we are looking good at the moment.

Are you planning to record your 5th album even if you didn’t have a label behind you?

Sami: Well theoretically it would be possible yes but some sort of finance should be in order to make things work. And I do want a producer for the album. Or I can always produce it myself but I am not a cheap guy hah hah :D

After your Vol 4-album Lullacry sort of disappeared out of the blue. Was it because of this hassle with the label that made you kinda disappear?

Sami: Yes it was loud and clear at least from my part. I putted everything on hold and didn’t do any Lullacry stuff for a year. Well I did started doing some songs after a couple of months cause it is what I do best so when I feel empty or otherwise crappy, I write songs. Escapism maybe. Escape from reality to this mystical world where I just combine sounds in different order and that way create something incredibly beatiful yet very ugly and mean…or incredible horseshit haha! I also started composing songs to my other band R.O.C.K and that was a very therapeutic process and it gave me belief on my writing skills…so the journey continues.

Some years ago you made some shows in US and other places as well. Is your main target still outside of Finland or are you happy with the success you have here?

Tanja: Hell no it’s not enough what we have here in Finland hahhaa :D We want more :)

Sami: Of course the main target for Lullacry is outside of Finland. Of course the realities in life put some boundaries on these things. Nowadays we couldn’t pack the van and hit the road for 2 months just like that. Especially with all expenses payed by the band. But all those US tours and other gigs and festivals outside of Finland were the ones that left us the greatest memories. I am not saying it’s not fun to do shows in Finland. We have excellent memories from Tuska where we played 3 years in a row, Nummirock etc.

Are the songs for the new album done yet and if so, when it’s time to hit the studio?

Sami: We are currently demoing some of the songs and the rest of them are in my head and on harddrive and as I said earlier, now it’s time to just take things slowly and see where we’re heading. We are not going to make like 10 albums anymore so it’s better to do the ones that we do right. So when we are sitting in our rocking chairs we won’t need to feel embarrased towards the latter part of our discography heh :)

What kind of new material can we expect from Lullacry?

Tanja: All the new songs are their own little stories. It has been a lot of fun doing the news songs and I am feeling very excited about them.

Sami: As the main composer I must say that it has been so cool to just write what comes out from my head, without any pressure. The problem with Vol. 4 was that subconciously I tried to make an album that people were expecting. Or what I thought they were expecting :) Who knows really. Heavy, rocking tunes with good melodies and that’s what it became. But still it wasn’t 100% honest I might say cause the motivation was a bit false.

But now if there comes easy listening, so be it. Or the contrary. But if you look at some of the working titles of the songs I’d say that it will become a definate Lullacry album people will recognize. “Testament”, “Amerikan Hit Song”, “AliceInChains”, “old School-Lulla” etc. Those are just working titles for some of the songs :)

Let’s dig some past shall we? After Be My God album Tanya was replaced by Tanja. Was it just a coincidence that you got a vocalist with almost the same name? Both them them are pronounced exactly alike.

Sami: We most definately wanted a vocalist with the same name hehe :D We also considered having a male vocalist. His name would have been Tan-ya and he would’ve been korean. Now we don’t need a new vocalist, Tanja has been in the roster for 8-years already. But if we would have a new one some day, it would be Tania as one reporter stated some time ago hehe :D

Best gig memory?

Tanja: Rock Im Ring, Collalbo 2003. It just happened to be my birthday the same day and the organizer got me a very nice birthday cake as a surprise. That remained as a very nice memory. But if I think what was the best memory for a show it must have been in our North-American tour on 2004 when we played in Seattle. The vibes were incredible and people really digged our stuff.

Sami: Well there has been those but I do agree with Tanja about Rock Im Ring. Also it was awesome to take part on Milwaukee MetalFest in US where we supported Strapping Young Lad and Ice-T:s Body Count. 25 minutes of showtime in front of 14000 people. The trip lasted 7 days so we had some time to hammer down couple of Miller-beers :D The beginning of the gig was sort of bad cause after the song people weren’t doing much. I could just hear from the frontrow “Kiss My Ass” but in the end people were sort of digging it.

The best outside gig memory would be hanging out in Los Angeles on the roof of Sunset Strip. There was a pool there…priceless. It was the US tour with Lullacry supporting Nightwish. This hotel happened to be the same where Kiss composed their “Rock And Roll All Nite”-song and Led Zeppeling broke one hotel room and of course Ewo, the manager of Nightwish burnt his back blue :D

Worst gig memory?

Sami: Supporting Edguy and the first gig on that tour in Fulda, Germany. After the first song you could have heard the needle dropping to the ground :D And there were couple of thousand people there. But we got them warm towards the end nevertheless. On that particular gig my pants got torn from the ass and that is always a bucket of laughs :D Once I lost a tooth in a gig in Kankaanpää, Finland when I hit it against the microphone. And the Tuskaisin (Tuska=pain) gig was in Tuska 2003. I had a horrible stomach flu I got in Italy and I hadn’t eaten basically anything for a week. Yet I dropped stuff on my pants a couple of times that day :D

Tanja: Actually there hasn’t been a gig yet that I would consider a worst memory although I have done dozens of gigs with Lullacry. So should I say it’s still coming someday? Of course there are always those “Spinal Tap”-moments but those things simply just happen. Personally when we are touring I need quite a lot of sleep and if the guys are making noise I will turn on my “bitch”-mode. Probably not a good sight for the guys heh ;)

Sami: I must say that it’s not a good sight yes hehheh :)

Tanja: How is it being the only female member in the band? I’ve heard many stories from bands that have only one woman saying that they have occational problems of understanding those ogres and their stunts.

Tanja: It has never been a problem for me to be the only woman in this band. I have 2 big brothers so maybe I am sort of adapted to this male behaviour. And you can go far with humour so there hasn’t been any problems.

Tanja: Do you still remember your first gig with Lullacry? How did it go and how nervous were you?

Tanja: The very first gig was so-called unofficial gig in Helsinki. We played under a pseudonym in a bar. Don’t even remember the name of the place. Don’t even think it exists anymore.

Sami: I think it was Stella Star or something in Sturenkatu. We played 3 gigs under pseudonyms which were of course names of alcohol beverages. Tequila Sunrise, Harvey Wallbanger and a third which I don’t remember now. It wasn’t Kossuvissy though :D

Tanja: The first official Lullacry gig for me was in Tavastia, Helsinki. It was quite funny cause it was the first time I was in Tavastia :) Guys were laughing at me saying “Woman comes to Tavastia for the first time and immediately on stage!” The first gigs I was scared shitless really. I am the type of person who gets nervous easily and maybe there is some panic disorder involved too so naturally it makes my stage performance a bit more difficult. But usually I am able to cope with these manias quite well. However there has been couple of occations I have locked totally like in an interview. In those cases I have given a picture of me which really doesn’t reflect the reality…putting it mildly :D

Sami: Well her stage performance has…how would I put it…improved a lot from those days :D Back then it was mainly squeezing the microphone with her knuckles white :D

Anything you would like to say to the readers of Metal From Finland?

Tanja: Lullacry is alive and well! People have asked a lot how things are going with the band during this so-called hiatus of ours. Looking back I am sure that this break was good in every sense. Like all things in life, everything has a meaning of some sort. We are focusing 100% on our new music at the moment. New songs are ready and I can personally say that there are awesome tunes coming your way! Check out www.lullacry.com from time to time for updates. See you on gigs and keep it heavy!

Sami: Everyone who’s capable come and see us on Dante’s Hightlight in Helsinki. We’ll be playing there on saturday 24th of July 2010. New songs are coming, I can guarantee you that. All well to all you creatures out there, take care of each other! See you on gigs!

More info about Lullacry:
www.lullacry.com
www.facebook.com/lullacryofficial
www.myspace.com/lullacry
www.metalfromfinland.com/Lullacry/

Tarja Turunen covering Whitesnake, this hurts!

I just had to write about this…usually I have nothing against bands covering other bands cause 99 out of 100 it is done out of respect and maybe even that poor 1/100 tries to do it out of respect too but fails miserably. And doing covers is always a good thing. But some laws should apply when doing them right? Ever since my teenage years (and it was a while ago!) I have been a huge Whitesnake fan and especially a huge David Coverdale fan. That man has a voice beyond understanding. There are very few of those that truly has a unique voice and besides Ronnie James Dio (R.I.P.) I think David Coverdale is one.

Now, what do you think happens when you try to cover Whitesnake? Especially a song like Still Of The Night? Well in most cases you fail of course. But what if you are a woman (nothing against women) and especially a soprano and try to cover Whitesnake and especially Still Of The Night? You make god damn ears bleed that’s what happens! You do NOT do that!

But Tarja Turunen did…now I love that gal and I think she’s awesome at what she does. But covering Whitesnake shouldn’t be one of those things. Below are 2 videos…first is the original Still Of The Night by Whitesnake and below that is the Tarja-version…knock yourselves out.

Ronnie James Dio

Ronnie James Dio 1942 - 2010

Ronnie James Dio (July 10, 1942 – May 16, 2010) was an American  heavy metal vocalist and songwriter. He performed with, amongst others, Elf, Rainbow, Black Sabbath, Heaven & Hell, and his own band Dio. Other musical projects include the collective fundraiser Hear ‘n Aid. He was widely hailed as one of the most powerful singers in heavy metal, renowned for his consistently powerful voice and for popularizing the “devil horns” hand gesture in metal culture. Prior to his death, he was collaborating on a project with former Black Sabbath bandmates Tony Iommi, Geezer Butler, and Vinny Appice, under the moniker Heaven & Hell, whose first studio album, The Devil You Know, was released on April 28, 2009. Dio died of stomach cancer on May 16, 2010. One of the last songs he recorded was titled “Metal Will Never Die”.

I remember first hearing Ronnie James Dio when I was 7 years old. My brother had the live album “On Stage” by Rainbow. Although I don’t remember much about my thoughts back then it must have been strong enough cause those were the seeds that eventually made me the metalhead I am still 33 years later. After his passing I have read probably over 50 memorials written to him by musicians and 99% of them described him as the kindest person on earth. But there was also the demanding side on Dio and he hated prejudice above everything.

Ronnie James Dio left us classics to remember him by and for sure, he will never be forgotten. He had the most amazing voice in the business and although that voice is now silenced, it will never be forgotten. RIP.

Why Ronnie James Dio appreciates metal fans in Europe and Scandinavia more than for instance in USA can be found on below interview.

Ronnie James Dio talks about his cancer treatments in the hospital

I still can’t believe there actually was a person with a voice such as he did…

Peter Steele – Type O Negative – RIP 1962 – 2010

Peter Steele 1962 - 2010

I am a bit late with this one however I did write this to the Metal From Finland Forum (http://forum.metalfromfinland.com) earlier already.

Metal community around the world was shocked to hear the passing of Peter Steele (born Peter T. Ratajczyk), bass player and frontman of Type O Negative. Although Type O Negative and Peter Steele in particular were known about their death threatening stunts in the past.

A rumor circulated that Steele had died in 2005, but that turned out to be a publicity stunt to promote their new record, making it difficult to assess the validity of this latest report. The earlier rumor sprung from an image of a tombstone with his name and the dates 1962-2005 that was briefly posted on the band’s Web site but then removed. Steele reportedly suffered from clinical depression, reflected in the band’s doom-laden lyrics, dark image and an often morbid sense of humor.

Below are the statements from their official website www.typeonegative.net

It is with great sadness that we inform you that Type O Negative front man, bassist, and our band mate, Peter Steele passed away last night of what appears to be heart failure.

Ironically Peter had been enjoying a long period of sobriety and improved health and was imminently due to begin writing and recording new music for our follow up to “Dead Again” released in 2007.

The official cause of death has yet to be determined pending autopsy results. The funeral services will be private and memorial services will be announced at a future date. We’d like to share our thoughts and those of Peter’s family below.
We are truly saddened to lose our friend and appreciate the tremendous outpouring today from around the world.

Sincerely,

Josh, Kenny and Johnny

Josh Silver: “Peter, My endless source of frustration, (as I’m yours) you have really done it this time. You have changed and touched countless lives through music, comedy and often brutal honesty. You’ve made life both interesting and irritating and I could not imagine not having known you for 37 years. It still isn’t true in my mind but in time I will miss you and the creating that we all endured together. We certainly disagreed constantly and I believe (and hope) we all learned from each other. Should I call you my brother, friend or neighbor? I can only call you Peter (and usually after 2 PM). We laughed at ourselves more times then I can count. Knowing humans are preposterous creatures and I know we reveled in that fact. I will miss you in time, but at this moment your premature departure seems surreal and has pissed me off to no end. Though I never told you that I harbor a deep respect for you, I do. Goodbye my friend.”

Kenny Hickey: “Peter Steele was one of the most brilliant and funny personalities in music and it was all for real. Half the time people thought he was joking, but he was actually telling the truth. Part of me died with him.”

Johnny Kelly: “It’s impossible for me to put into a few sentences what I am feeling at the moment Peter. I’m not sure if I should eulogize or roast you. Both good and bad, we went on one hell of a ride together and sadly, the ride has come to an end. You truly were a unique person. Your music touched many people. Myself included. Whether it was talking about The Beatles, power tools, how Pluto was no longer considered a planet or calling me at 3am asking me to drive to your house to have a fistfight with you, you always kept it interesting. It was a privilege to have been your bandmate. It’s something that I will always cherish.”

In a statement issued today by Steele`s family: “Legendary Goth/Heavy Metal musician Peter Steele died suddenly Wednesday, April 14, 2010, after a short illness at the age of 48. He wrote and orchestrated the music for the Brooklyn-based band Type O Negative, a groundbreaking group known for its dramatic lyrical emphasis on the themes of romance, depression, and death. Steele, renowned as much for his striking physical appearance as his musical talent, was the creative force behind the bands 20-year success writing most of the material for the their albums. Type O Negative and Steele have been lauded as a major influence by numerous alternative and metal bands. The band gained a worldwide following through touring and recording seven studio albums, two best-of compilations, concert DVDs and music videos. Their 1993 album “Bloody Kisses” went platinum, and the 1996 follow-up “October Rust” went gold.

The music world has lost a great talent, and music fans worldwide are mourning, but for our family we are mourning a beloved brother, uncle, cousin, friend and funny man. Peter Steele was a complex man, known for his brooding looks, his self-deprecating sense of humor, unique view of the world, and most of all his loyalty to his fans, friends and family. Survived by five sisters, the eldest living sister notes that he was more than our brother, he was our son. His untimely death is tragic – a great loss to us and to music. The official cause of death has yet to be determined pending autopsy results, and funeral plans at present remain unknown. The family thanks fans for their loyalty to Peter and band members, but request that fans and media respect their wishes for privacy.

In addition to his success in music, Peter Steele also tried his hand at acting, appearing in HBO`s Oz and the cult classic film Bad Acid. He also composed music for the film soundtracks “Freddy vs. Jason” and “Mortal Combat”, the television movie “Nosferatu: The First Vampire”, and the soon-to-be released “Living the American Nightmare.”

Peter Steele left behind a legacy of awesome music and he was also remembered as a sinister, cynical yet friendly and funny person. Below are some interviews of Peter Steele. I have tried to putted them on chronological order and the latest of them represented a man with many regrets from his past and in some of them he reminded often enough that he wouldn’t live very long…how ironic and tragic. After the interviews there are also some Type O Negative videos I have considered the best.

And one of the latest interviews of Peter Steele can be found at this location.

Type O Negative videos

A Headbanger’s Journey 1-14

Sam Dunn is a lifelong Metalhead and anthropologist. In Metal: A Headbanger’s Journey, after years of studying diverse cultures, Sam turns his academic eye a little closer to home and embarks on an epic journey into the heart and soul of heavy metal music.

- www.metalhistory.com

(for the 6th part you may need to login to Youtube cause it has been complained to have some sexual content or whatever lol)

Buy Headbangers journey at this location.

True Norwegian Black Metal part 1-5

Although the black metal scene was originally born in England in the form of Venom it is considered that the only true black metal bands originally came from Norway. In the early days they were more known of other things besides their music. Mainly those being church burnings and murders.

This documentary is split in 5 parts and you can view each part below. Take a trip to Norway and discover what lies beneath the norwegian black metal scene.

This drummer ended up on the wrong gig

This video has become an internet success! Over 5 million views so far and the drummer has become a celebrity himself now. He said that his longtime idol Mike Portnoy (Dream Theater) even contacted him after seeing the video. But you have to admit…he is good…and passionate about his drumming  :D

Myötätuulirock 2010

Once a year Hakunila, that lovely suburb in eastern Vantaa turns alive as the annual Myötätuulirock starts. Being a 3-day festival it’s always a trial to people cause like many finnish summer festivals, it’s highly motivated by alcohol and drinking 3 days in a roll is always an achievement :) Luckily I was working so drinking was a luxury I couldn’t afford, nor in fact even wanted.

FRIDAY

Since I have other priorities on daily basis I was only able to arrive there just before Viikate started playing. I got kinda surprised to see there was only one stage cause the last time I was in Myötätuulirock (was it 2007?) they had 2 stages there and transforming between acts was so much faster since while the bands played in one stage, the other was being prepared ready. But even now with only one stage, things were very smooth so we didn’t have to wait very long between bands.

Viikate in a band I grew to like slowly. In the past I used to hate them really but when I started to listen more and more, I sort of went inside the band. It is just about as finnish as it gets. But they have always been in my a-list and therefore weeing them was a treat. And they sure delivered. Many of the songs were familiar to most of the crowd watching them and there was only one song I sort of missed, that being of course “Me olemme myöhäiset” from Marraskuun Lauluja 2-album. But all in all Viikate served an excellent show.

Next up was Tarot. Tarot is (sad really) these days known more from the fact that they have Marco Hietala (Nightwish) there. Tarot has been in the scene since 80′s and they’ve gone a long way from big success to moderate success to pretty much no success yet they always kept on going doing their own thing. How respectful is that? Their last couple of albums have given them lift again and I don’t think there is any band I would grant that success more than Tarot. Their setlist contained songs from newer albums which to me was a shame since I am more into their older stuff. Not a single song from their first 3 albums was a disgrace especially since I wasn’t the only dinosaur in the crowd who probably expected to hear perhaps “Spell Of Iron” or “To Live Forever“.

Marco Hietala / Tarot

Image by Toni Salminen (www.metalscope.net)

But I guess they have played those songs so often that it was time to do newer stuff. Marco Hietala is still one of the best vocalists out there but what was really surprising was to hear their other vocalist Tommi Salmela. The dude sounds just like Marco! Nice angle :) It wasn’t the best day for Pecu Cinnari cause from time to time he sounded more like a popcorn machine than a drummer. But they gave all and that was enough for me.

Ensiferum started about 10 minutes late which was fine cause they still are bit of unknown to me. Of course I know the band and lots of their songs too but I have never got into them. But props to Ensiferum cause people really considered them as the headliners on friday although there was still the headliner to come. Not much to say about the gig itself, they play half nude and the body of a finnish man surely is beautiful :) But they played very well and the audience loved it so nothing to complain there.

Ensiferum - Myötätuulirock

Image by Toni Salminen (www.metalscope.net)

Last but definately not least on friday was Exodus. Unfortunately the schedules were off and they started about 20 minutes late. It seemed like people had enough after Ensiferum and some of them started to leave the festival area. Too bad for Exodus cause I bet they would’ve hoped a better reception than what they did. Although people started leaving, the gig was very good. Exodus is a very entertaining band and their thrash metal really sinks in to me. Majority of the songs I never heard before so I take it that they played mostly their newer material. But even so, it was a very nice experience.

SATURDAY

I missed the 2 first bands on saturday. Not because of hangover but because I had to have some sleep dammit! Anyways I heard that The Milestones suffered from lack of people which is understandable if the festival area opens at midday and the band starts plaing 10 minutes past midday…not very good. So the first band played their show to half empty area. But the gig itself was very good I heard. I do hope to catch these guys later cause I think they are very good band.

So my saturday started by watching Kiuas. Must admit that they were very good. I haven’t listened to their new album “Lustdriven” yet but their older material is familiar to me. During the first few songs the vocalist sounded a bit rusty but turned better and better as the gig went on. And their guitarist Mikko Salovaara is simply awesome. Well the whole band played like a well oiled machine so it was a feast for me. But Kiuas was just an appetizer for what was going to come next.

Diablo…band that I have waited to see live for so long. Somehow I have always been somewhere when they’ve played around Helsinki. But finally I was able to see them cause I’ve heard from so many people that they simply kick ass live. Man were those people right! Their setlist contained all the songs I wanted to hear, Read My Scars, Queen of Entity, Mimic 47, Icaros, Living Dead Superstar, Resign From Life, Into The Sea etc. And it was hard to believe that they hadn’t played a single gig in 8 months. Rainer (guitarist, vocalist) said that their drummer Heikki Malmberg wanted to practise a bit before Myötätuulirock but Rainer had told him that practising is for non gifted people :) Their playing was like clockwork yet not too clean. I dislike bands who try to play the songs live exactly as they are in the album. Luckily this wasn’t the case with Diablo. On ne vaan äijiä perkele!

After Diablo it was time for another band that I waited a lot…Mokoma. I have seen them 4 times live already but this was the first gig after their amazing “Sydänjuuret” -album and there certainly were some songs I wanted to hear from that album. But what happened right after they started their gig? The sky turned the faucet and it started raining. Well this wasn’t my first “summer” festival so having some rain really didn’t come as a surprise. And I was optimistic that it was just a short shower anyway…yeah…like that happens with me and my luck. But Marko Annala (vocalist) empathized the crows by saying “If it’s any consolation, we are on stage and we are getting wet as well so let’s just try to make the best of it”. And people were going bananas…there was even a moshpit of young dudes and some older ones too…and couple of girls :) Well the pit already started during Diablo but only grew bigger during Mokoma. Mokoma played many of their classics but one song that would have suited the weather would have been “Takatalvi”. But the absolute highlight of the gig was when they played the title track “Sydänjuuret”. It is simply an awesome song. Ones that has Spotify, click the link and listen: (http://open.spotify.com/track/03PhutkHu5Q1M7a9x6jXaP). And of course they had to play their song Marras (http://open.spotify.com/track/2CgBRBFi3WGDjrzbO0aoKm) which is a slowtempo “ballad” in their standards. And this was the way Annala spoke the song in “Most of us are already wet and now it’s time to get the rest wet too” :D Although the weather was horrible the gig was in my opinion the best Mokoma gig I have seen so far.

After Mokoma it was time to seek some shelter from the rain cause it was starting pour down more and more heavily. So the logical place is the drinking area and the small covered area they had there. It was there where I watched Korpiklaani, those happy little boozers from Finland. It was a shame really cause the gig was excellent and people were totally with them. Korpiklaani is the type of music that makes you happy and it’s excellent partymusic. Even in pouring rain and coldness it seems. See us Finns we are extremely stubborn nation and if we have decided to sit down and have a beer, we will have that beer even if it would snow! Don’t believe me? Well below is a picture taken from the drinking area of Myötätuulirock while Korpiklaani was playing in the distance…when we drink, we drink dammit!

Drinking area at Myötätuulirock 2010

Next up…Swallow The Sun. I think the weather was summoned by this particular band cause it’s moodyness and depressiveness work like a charm in rainy, windy and dark weather. Must say that when I saw them in Finnish Metal Expo, they were better. Was it cause I was inside and felt warm? Perhaps but the constant pouring rain takes the best out of everyone. So I was pretty much trying to stay warm and pay attention…and failed miserably.

Swallow The Sun - Myötätuulirock 2010

Toni Salminen (www.metalscope.net)

There was only one thing left to do…go home…I wasn’t dressed to this type of weather god dammit! And it pissed me off royally cause there was still Stam1na and Turisas coming…and also the surprise act which in my opinion was ridiculous. Hevisaurus? In Myötätuulirock, saturday at 10:15 pm? Their target audience afterall are young children and kindergarden people! This was a failure from the festival organizers. Hevisaurus would have worked very well for instance being the first band on saturday or even sunday but not on saturday evening. Enough ranting. I didn’t see them anyway cause I headed home.

SUNDAY

Sunday was a hangaround day for me in Myötätuulirock. I didn’t in fact pay attention to any bands in particular. Weird for me was that usually sundays are the days of major headliners in festivals but on that case Myötätuulirock was an exception. Or how would you describe the sundays roster: Reckless Love, Raaka-aine, Peer Günt, Royal Republic, Suburban Tribe, Mustasch and Amorphis.  Since I really didn’t pay attention to the bands more closely I won’t get into any of those bands other than saying that they worked as background music just fine.

FESTIVAL

As a whole I would still give Myötätuulirock a good grade. Saturday was such a treat that it alone put a smile on my face…despite the weather. Can you imagine how much better it would have been in warm weather? But like every so often in finnish festivals…there is no summer.

Facilities worked well, plenty of bathrooms, lots of places to buy food, merchandise and drinks. And the mobile Alepa worked very well too! But one thing I would hope Myötätuulirock should change for the next time, bring back the second stage. Cause now the transition between bands was too long. I know that those festivals aren’t organized for us press creeps and it’s easier to take the waiting between bands when you have beer can in your mouth. But being in festivals where they practise the 2 stage plan it just works so much more better. The transitions are quick and if you really are there just to see the bands you can move from one stage to another and get basically nonstop music experience throughout the weekend.

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