Category: General


Top 10 Apocalypse Songs for 2012

Moonspell - "Night Eternal"

It’s 2012 and every metalhead wants to have a Heavy New Year ahead, especially now when the prophecies seem so dark and mean. After all, the apocalypse is a typical theme for metal. What to listen to, apart from Metallica’s ‘The four Horsemen’? Get your playlist in tune with this infamous year and watch out, these songs are not for merry days or merry souls.

1. Moonspell – Night Eternal. Easily making it to the top of the list, this song benefits of a great video and

features a wonderful dark atmosphere. These Portuguese metal gods don’t fear the apocalypse, but actually call for it; and they do it in such perfect words that you will wish for the world to end, you too. The perspective is one dealing with Biblical images and puts out more anger than despair – a beautiful prelude to extinction. “First in the skies, apocalypse/ Only your fury can set us free/ Come for we are failing/ Come for we are waiting“.

2. Primal Fear – Seven Seals. Somewhat like a heavy ballad, but intense and dramatic and very, very catchy for its slower tempo. It is so melodic and impressive in its composition, and there’s an outstanding match between the feelings from both the music and the lyrics. I truly get a feeling of the end as it says “There’s no tomorrow…” and also get a sense of dignity. All the lyrics flow extremely well. This is a great rendering of John’s Revelation – the 7 angels, the 7 seals and the tormenting symbols in the Christian apocalypse. And by the way, you can’t end this life until you’ve heard Ralf Scheepers’ vocals on this one!

3. Septicflesh – Apocalypse. Perhaps more solemn and mystical in atmosphere than all the others on this list, it’s a symphonic death metal masterpiece that gives off a tragic, crushing feeling, but at the same time feels like watching a grandiose spectacle. Also, it has a very different interpretation of the end of the world myths. Feels like all is rushing to come to an end, storms are blasting, rocks are falling. The orchestra here is the spine for the brutal yet so harmonizing  metal instrumentation. Pure apocalypse!!!

4. W.A.S.P. – Babylon’s Burning. Yet another masterpiece quoting John’s Revelation. This time, from one of the rebel classics. This proves how metal and badass the scriptures can be. It’s a pleasure to hear Blackie Lawless’ voice announcing the dramatic end of the world!

5. Leaves’ Eyes – Ragnarok. The otherwise delicate Liv Kristine makes a nice effort here. She sounds stronger than ever, empowered by the vision of a world in ruins. The drumwork is excellent here. A fast paces track and a new level for this band.

6. Amon Amarth – And Soon the World Will Cease to Be. Well, these Swedes’ two latest albums are all about the end of the world, this time from the ancient Scandinavian perspective, with raging gods, terrifying monsters, war and fire. This one is a dramatic, bitter piece with dark, pressing mood all over – in the typical Amon Amarth vein. No surprise to the fans, these Vikings are proudly taking us through 2012.

7. Hypocrisy – Apocalypse. A true gem of the genre, the re-recorded version of this song sounds amazing. It has a haunting theme from the beginning and takes you from a solemn threat to despair, all in a solid atmosphere of poisoned skies and deathly winds over darkened grounds. Great vocal effort as well.

8. Morgana Lefay – The Seventh Seal. rough, in your face track, with all the elements that made this band big, like wicked and heavy riffs. A pounding rhythm, much enhanced by the bass, delightful for the dedicated metalhead.

9. Heaven Shall Burn – Endzeit. they put up quite a show with this one at Wacken 2011. Nice piano and violin extended intro, then breaking into raging vocals and insane riffs. Fast and aggressive, this has always forced the crowd into mosh pits.

10. Sybreed – Doomsday Party. If we’re ending it all, let’s send it off with a blast. After all we, the metalheads, are not easily brought down to fearing and crying, right? We could as well have fun and dance it away. This lovely groovy-industrial metal band makes the proposition of a party and delivers a danceable track… yet with some rough lyrics: “And this is how we realize the tragic prize of wasting time/ It doesn’t make sense if we die/ And we’ll know in the end if we truly lived“…

NIGHTWISH Imaginaerum prelistening at Finnvox-studios

Finnvox studios

By Tero Tolkki for Metal From Finland. It was a typical autumn afternoon in Finland. Dark, windy and rainy. But my day was getting better as I was driving to legendary Finnvox Studios in Helsinki, Finland to hear the new Nightwish album Imaginaerum. It was a special event held for the press since there isn’t going to be any promos available. And the bonus was that the Maestro himself, Tuomas Holopainen was there to host the event. I’ve been in Finnvox studios many times before and I knew that the place wasn’t all that huge so I was sort of hoping it wouldn’t be packed with press. Wrong. But at the same time totally understandable. I couldn’t think a single journalist who would like to miss this one. It was nice to see that Nightwish was presented there not only by Tuomas but the rest of the guys as well. Only Anette was missing. After a small waiting period, we moved to the studio-room itself where we could hear their long awaited album Imaginaerum.

I will write about each and every song individually but keep in mind, this is not a review of Imaginaerum. It is impossible to write a review of such epic after hearing it only once. So the things I gathered on my notebook were more like feelings which I am going to share with all of you now. But I can say to all you Nightwish fans out there…with Imaginaerum Nightwish will challenge you in a way they’ve never done before. This album is by far not an easy album to approach. But here is Imaginaerum, track by track.

Finnvox is perhaps the most well known studio in Finland

Finnvox is perhaps the most well known studio in Finland

TAIKATALVI

Started with this wind-up toy playing a lullaby. Marco sang the intro in finnish which was cool to hear. It was like a dreamworld entrance with flutes, choirs and symphony orchestras. A perfect intro.

STORYTIME

Nightwish released this song as the first single from Imaginaerum. A nice mid-tempo song that actually reminded me of one other Nightwish song, just couldn’t figure out which one. Very strong guitar riffs. Contained a very strong symphonical part in the middle. Maybe the song itself was stretched a bit too much from the end but definately understandable why Storytime was chosen as the single song.

GHOST RIVER

Another mid-tempo song. Marco’s singing in the beginning was like touch of madness and rage. After that it was more like a dialogue type of singing with Marco and Anette. Very strong symphonical part in the middle with a child choir. That sounded awesome.

SLOW, LOVE, SLOW

This was a treat…unlike nothing I’ve heard from Nightwish before. Started with a piano and while I was waiting the song to kick in…well…it didn’t :D Instead it changed totally. The best way I can describe this song is like, going to one of those bars in the 60′s, full of smoke and a on stage there is a woman in spotlight singing. When you hear this song you’ll understand what I mean. I actually spoke to Jukka about this particular song and he said that was one of the things they tried to capture on the song…well they did it :) And then there was this clean guitar part, like a solo but it was so funny. Couple of journalists started laughing and even Emppu himself was laughing. This awesome song ended with a long tic tac tic tac sound. I must say, not a song I would expect to hear from Nightwish but I love the fact that they are experimenting.

I WANT MY TEARS BACK

This song started with a very butch guitar riff. It doesn’t matter that Emppu’s sound is pretty much always the same and the riffs are similar but I do love how it sounds. On the early parts of this song I thought it could very well be a good candidate for their second single release but a middle part totally changed it. It had this middle age feeling…hard to describe. Well I am describing mostly my feelings on the songs cause now when I write it, I barely anymore remember how the songs went. Again to me that’s a good thing. Anette’s sound is a bit thin on this song for some reason.

SCARETALE

Starts with a very nightmare-like pressuring atmospere, well it’s called Scaretale :) Loved how the double bassdrums started after the beginning and it gave a very groovy feeling for the song. At some point of this song Anette’s voice changed to slightly aggressive which in my books is never a bad thing! Middle part of this song contained a speech which believe me or not, changed into something that remotely resembled Finntroll on their early years ´:) This song was a combination of many different parts.

ARABESQUE

Instrumental song. Didn’t really get inside this one at all.

TURN LOOSE THE MERMAIDS

Starts acoustically with Anette singing and pan-flutes on the background. This song overall had a very beautiful and balanced atmosphere and while I closed my eyes, I almost fell asleep…some might think it’s a sign of boredom but to me it’s a sign of relaxation. And it’s not easy to achieve in a room full of journalists lol.  Loved this song.

REST CALM

This one started with a nice guitar shredding. Marco started singing and Anette joined. Middle part changed almost entirely to acoustic while Anette was singing with a child choir.

THE CROW, THE OWL AND THE DOVE

Started acoustically and the song had a very tranquil feeling overall. There was a someone in the middle part who I think was a special quest cause it didn’t sound like Marco.

LAST RIDE OF THE DAY

Now this is Nightwish! From the very beginning to very end. Lots of choirs, strong riffs, melodic chorus, double bassdrums. Definately single material.

SONG OF MYSELF
Song  1: From A Dusty Bookshelf
Song 2: All That Great Heart Lying Still
Song 3: Piano Black
Song 4: Love

This is epic…EPIC. But also a song you need to listen over and over again and I am sure you’ll discover something new each time you hear it. It’s just a combination of so many things…overwhelming really. At times so melodic and then turns into a total end of the world atmosphere. Only Maestro is capable of doing such compositions. As I said already…you need to hear this song many times to get inside it.

IMAGINAERUM

Outro, symphonic, wow…it was funny cause when the song ended…the room was totally quiet…you couldn’t even hear a single breath…until Marco broke the silence by saying “Yes that was it”

Jukka after the listening session

Jukka after the listening session

People walk out the room in silence…surreal feeling. I don’t think the silence was cause of disappointment, I think it was more like “What did just happen?”. At least that’s how it felt to me. Over 70 minutes and it went by very fast. Now I am not saying this is the best Nightwish album, again one cannot even make such assumption based on one listening time. You can do that with many bands but not with Nightwish. There is simply too much content in those 70 minutes to state an opinion…only to describe feelings.

As you all may or may not know, they will also make a movie out of Imaginaerum which will be written and directed by Stobe Harju based on a story by Tuomas Holopainen. This was something that I actually kept in mind while listening. So what I did during each song was to close my eyes and just let my imagination fly. I couldn’t believe I actually started seeing images coming out of nowhere. It felt surreal…just listening to the song and the lyrics they transformed into images. Now let’s see how the fans like it when the album is released. I loved it.

Band focus: BATTLE BEAST

For a band born in 2008 (Helsinki, FIN), things started pretty fast. In 2010 BATTLE BEAST was qualified to take part at Wacken Open Air in an international metal competition – the already traditional Metal Battle – in which 26 bands fought for glory, some prizes and a record deal. These Finns won. And how else could it have been…

For this one time, the essentials of Finnish metal are not there. No charming and tormented frontman, no lyrics about the bitterness of life, no instrumentation oozing with melancholy, pain and anger. This time we get something very different from Finland, and it’s worth a notice whether you enjoy the style or not – simply because it’s so different! These fellows of BB are committed to a revive the old days and to remind us that metalheads still need to know of Judas Priest and such… A revival attempt for the old school heavy metal is no bad thing, after all. BB’s music consists of chunky and screeching guitar, old style choruses, hellish and ballsy screams, while the image is composed of leather, steel, leather and steel. The outstanding part is none of these, however – it is in the vocals. The responsible one is Nitte, the one-of-a-kind frontwoman. Full confidence and full force! It is quite senseless to begin describing her or the amazement to hear her vocals, so I simply recommend listening…

Among their songs, “Victory” sounds like a serious piece of traditional metal and also “Armageddon Clan” is a five-star creation. “Iron Hand” has a good sound for me, as glorious as Turisas‘ “Battle Metal“, though we’re talking about such a different band here. About the whole album “Steel” (2011) I wouldn’t know what to say. The title is only the first cliché we find here. Add the repetition of certain elements, the obsessive Manowar themes (in the words used and image) and you don’t get much of a hit. On the other side, it is to be praised for the genre it manages to represent, for the raw power that fills it, for being an appropriate spin at metal events/venues and for just being the surprise that it is. Who would expect that kind of sound from Finland’s side?

Some will like it, some will laugh. BB is, however, welcome to the metal world.

BATTLE BEAST is:
Nitte Valo (vocals)

Anton Kabanen (guitar, vocals)

Pyry Vikki (drums)

Juuso Soinio (guitar)

Eero Sipilä (bass, vocals)

Janne Björkroth (keys, vocals)

Links:

Myspace

Facebook

Official site

I remember very well the joyful moment of seeing GHOST BRIGADE perform on the Wacken 2010 stage, changing the climate into Northern coldness.  The band – whose musical style is very hard to pin down – has been receiving very positive reviews and keeps on gathering more and more praise with the latest release.

The video for “Clawmaster” is directed and animated by Fursy Tessier (Les Discrets, Amesoeurs, Alcest) and serves the first single of the album “Until Fear No Longer Defines Us” (which entered the official Finnish charts at #7!). I get the impression that, starting with the album title itself, GHOST BRIGADE wants to expose a philosophy of true liberation and it manages to put it in very interesting concepts. It’s nice how this dark metal act makes the leap to offering solutions instead of just stating the problems.

It begins with some of the most desolating scenes you’ve seen, all in grey and black, dark simplicity that lets in some kind of chariot pulled by the characters in the video. I have already forgotten that I was never really interested in watching videos with animation. This one is ART, and it’s art fit for metal. The band members appear as hooded silhouettes – dressed in something resembling long medieval monk garments, a sight to behold.

“I will break the bond between us

And prove my innocence (…)

They can tear me to pieces

but my ghost will stay whole”

The video is dealing with some simple but profound symbols, with the two opposing powers that are the polarities between which humans oscillate. Despite the simple cartoonish style and the things that can be seen as clichés, this work succeeds to convey a message of wisdom about the human condition. I was very impressed and looked to draw a meaning from its every detail; a beautiful, deep message; a very nice work of art and totally welcome in the world of metal, though its essence is unusual. GHOST BRIGADE and all their musical efforts show that dignity and intelligence belong to Metal.

When the characters break the ties that held them and transform into beings of light, everything is magically turned into pure euphoria. It is done in such a way that I can’t put my finger on what made it so, I just feel it, in the melody as well. It’s very mysterious how it lies in that simplicity. I guess that’s pure genius. See what happens, it is well amazing!

The work was completed in 6 weeks from 1st July to mid August.
Collaborators: Michael Bolufer, Fabrice Ascione, François-Marc Baillet, Stéphane Lefort, Adrien Bousson and Olivier Perras.
Production assistant: Audrey Hadorn.

 

www.ghostbrigade.net

Band focus: GRENDEL

Until several years ago, “Finnish metal” was used to describe a certain group of bands that would get their inspiration from SENTENCED and carry on with the same melancholy, heartache and gothic tunes.  Soon there was not much left to say in this genre, so it faded away towards extinction. Was Finland going nowhere? Of course not. With new inspiration in its great melodic death metal acts, it began to develop its own brand of the genre.

GRENDEL‘s cross to bear in the Land of Metal is a tough one; the melodeath area becomes overcrowded already, there are simply too many bands and too good to make possible long-term successes like those from past decades. This explains why I, for example, am writing about this band in 2011 (they began in 2000). There were many occasions in which I encountered its name, it was getting a grip on my memory, but I got too emerged into other bands to check it… However, the effect of the discovery was a fast and mind-blowing one. I haven’t known such enthusiasms for a Finnish band since I got into SWALLOW THE SUN, which actually has quite a sound connection to GRENDEL. On some tracks, that is. I must mention the diversity of which this band is capable! From numbing melancholy to downright anger and aggressiveness. A great plus is that these musicians engage in acoustic and cover gigs – truly awesome stuff. By all evidence, they love what they’re doing and they invest a lot in it, expanding the experience.

So far I have befriended only their latest 2 albums, “A Change Through Destruction” (2008) and “Corrupt to the Core” (2011) If Mikko Kotamäki (SWALLOW THE SUN) impressed with his clean/growl duality of vocals, this time another Mikko takes it to an even higher level. The clean vocals of Mr. Virtanen are able to sustain much more with their richness and depth. Their specific sound is inviting, dark, seductive – at the same time intimidating – without the “unfortunate trait” of many such vocals in death metal, that manage to decrease the testosterone levels and to sound out of place. No, Mikko Virtanen is blessed with an unforgettable voice that adds depth. On the brutal vocals aspect, he does it fantastically also. There is raw power and harshness which, combined with well-crafted guitar riffs (like in “Apocalyptic Rain“) are a great metal treat. On tracks like “The Deaf Cult“, the slower pace and doom atmosphere remind of the aforementioned co-nationals. A bitter, blue-hearted, haunting masterpiece. The deeper and wider growls are something remarkable here. Its equivalent on the newer album seems to be “Five Years Without the Sun“, the difference being that this one is sung in clean vocals entirely, with the help of guitarist Mika Kivi (a nice surprise). “One Desire” is a song that probably makes AMORPHIS wish they wrote it. Also Tomi Joutsen has a serious challenge in front of this roaring lion – Mikko Virtanen – and his energy (can’t help but appreciate the storming stage presence).

I find their 2008 album to be somewhat richer than the one of 2011 – as the band made better use of the qualities they had and their uniqueness. “Half Life” can be an example for the state of the art for GRENDEL: it exhibits the best of melody composition, the best of Mikko’s vocals and technique and a perfect unity of message  + atmosphere + execution. However, among their new tracks there are great compositions too, such as  “Silver Tongues“, that gave me visions of a crushing gig at a big open air festival, with a crazy crowd and some fine pyrotechnics. This 2011 record is more brutal, fit for moshing, with more consistent guitar work (watch the killer riffing in “Day of Redemption“). It’s a release that shines on the faster and heavier side but lacks on the side of clean vocals, which are not used to their full potential on some tunes.

The lyrical themes of GRENDEL mostly deal with soul search, guilt and penance,  mankind’s current state and so on. All in all, very introspective lyrics that maintain the band in the “top quality” area. It is a deeply human journey through many levels and aspects of life, put on a variety of rhythms. Definitely, the foremost qualities of this band stand in the various genres they visit, the vocals and the live appearances. Just can’t get bored with them.

Go meet this monster on the Metallia Perkele! -tour this autumn!

 
GRENDEL is:
Mikko Virtanen (Vocals)
Mika Kivi (Guitars, Background vocals)
Jussi Kraft (Guitars)
Kari Martikainen (Bass)
Juha Terrilä (Keyboards)
Jarkko Piipari (Drums)
Official website

Myspace

Facebook

W:O:A 2011

Official banner of W:O:A

4 – 6 AUGUST, SCHLESWIG-HOLSTEIN, GERMANY

SOLD OUT 6 February 2011 (6th time in a row)

Under the daring line Blasting Europe in August, the king of all metal festivals reaches in 2011 its 22nd year and, once again, deserves all biggest words of praise. The fields hosted total number of over 85 000 participants, out of which 75 000 were ticket owners (according to a German law, the number is not allowed to grow – otherwise, this festival would’ve grown to monstrous sizes for sure).

If last year I delivered a much-encompassing guide and a longer coverage as a first-time Wackener, this time I will be just going through the new, the unchanged but very good, the particular moments to remember and – of course – the Finnish appearances. In 2011 Finland was represented by well-established names: ENSIFERUM, APOCALYPTICA, CHILDREN OF BODOM, MOONSORROW and, in support of last year’s glory, BATTLE BEAST who won the already renowned Metal Battle of the bands. Also the amusing humppa (Finnish polka) cover band Eläkeläiset  was among the guests, as W:O:A is not all about being dark and grim.

As the numbers on the website visitor counter goes numb because of too many simultaneous guests, the camping fields around the metal village become populated with enthusiasts from all over the world. It’s the weekend before the festival. Metalheads do this from 2 big reasons: to avoid traffic jams in midweek and to enjoy the sweet camping life for as long as possible. Same story as years before, people are making early arrivals in spite of the measures taken to control the phenomenon. The organizers have raised the fees for the early ones, but in vain it seems. Anyhow, 10 and 20 euro don’t make a whole in the budget of those who love Wacken.  Unfortunately I arrived on the holy grounds on Wednesday evening, which is quite late, but felt the celebration atmosphere starting with Hamburg central station. There, I already met fellows selling Wacken tickets, which got some raised brows, as many of these tickets can be counterfeit. This is a serious thing, because enough people were tricked and unfortunate enough to return home from the festival gates…

Travel tip: to go cheap, go carpooling; check websites such as Mitfahrzentrale – they usually have a version in English, too, or simply go to the international ones. Car sharing is a very effective way to reach the festival especially if you are in Germany, as you can find lots of daily rides to Hamburg or straight to Wacken (that also means travelling in company of metal brothers). People also advertise there group train tickets, which turn to have a ridiculously small price. Join them in the adventure!

Itzehoe Welcome Point

Itzehoe is the last stop before the metal village and the mood was uplifting. The small station with its shops was crowded with metalheads looking for beer with a contagious over-enthusiasm! An official welcome point was set there to provide us with beer and informative papers on the festival and camping grounds, as well as the opening hours of all facilities. No time for waiting, the shuttle buses come fast and the “all in” ticket costs only 8 euro. The transportation is very well organized and I don’t think anyone can be in trouble with it. Thumbs up for the organizers, their efforts led to great results!

"Rejoyce, you are in Wacken"

The campsite together with the festival grounds (Wacken Center, Wackinger Village, the beergarden, the food area, the 6 stages, the movie field) are a complex, well-thought structure, and it is possible at any step to wonder where you are and where to head to. Luckily, at crossroads and many other important points there are big maps with the very helpful “You are here” marks. Also the guards are ready to help the lost ones anytime. The problem with the printed maps we were given was that the writing was too small and thus difficult to read, even when sober.

Another trouble was going through the village in search of the Press Check In, placed so far away. The same spot was also for the guests and VIPs. Waiting in line with all our stuff around us wasn’t too pleasant, but finally getting our passes and bracelets was relieving and we easily set our minds on the coming beer to drink and the enchanted Wacken night.

Need more?

Campsite A is packed. No cars allowed here

Mornings can be so nice and sweet in Wacken. Perhaps the clean fresh air and the ever going joyous mood does wonders to the drinkers, as they wake up each day with new forces! In fact, I’ve seen party people who barely stopped in the morning. In any case, few have the occasion to take a longer break than a few hours. The people are (over-) friendly and their survival goods are easily shared with any guest or anyone in need, it seems. The opportunities for fun are always countless – they are up to everyone’s crazy imagination. After you have your Wacken baptism, you may pass through the traditional Slow Motion Zone, watch a tent “bullfight” or have a fun ride on whatever object is appropriate :-) Also, don’t be surprised if the Air Guitar contest turns into a striptease show!

Useful tip: Ask and it is given! I wouldn’t have believed it at first, but a newly gained buddy showed me it’s possible. When you’re in need of beer, just go ask for it politely to the nearest tent. You will be surprised how fast they are to help, the Wackeners. We got 2 :)

Having a hot coffee made with love and care in the camping, some schnitzel and grilled sausages, me and the fellows were ready to go and live the show! Great bands can be found scheduled even early in the day, at noon, like ENSIFERUM and MOONSORROW. Strange choices, however. Their music fits heavy drinking and a later time of the day, with cheering mood instead of morning sleepiness. That was said by many around.

On Thursday morning, grey skies and drizzle menaces our joy. Warm clothes, as well as something to protect from the rain are already necessary. It’s a bad omen to get this weather so early in the week. From the press area I catch a part of the BLIND GUARDIAN sound check – it is fabulous! The way they sounded showed that the band is definitely well prepared and ready for tonight’s (expected) mighty appearance: a stunning professional act and an epic celebration. Looking forward! I went on through the place filled with this energizing feeling of content for the day that had just started. The festival, in spite of the weather, was following its normal rhythm: people coming back and forth from the supermarket, going for drinks, waiting in great numbers to buy official merchandise, taking photos in a frenzy, crowding the beer garden and so on. It is time for the first gigs also. The Wacken Firefighters are the traditional openers, followed this year by the crazy band RUSSKAJA singing Russian polka music mixed with some fun melodies. The atmosphere had been more than warmed up already, time for some serious metal. Again – traditionally – SKYLINE & Guests (Doro Pesch, Chris of Grave Digger, U.D.O...) to perform the beloved Wacken hymn.

The most important thing about the running order at W:O:A is that… it has no mercy. From 12:00 to 03:00 the next day, bands play simultaneously on the impressive stages and usually at least some big names will overlap with some others. Choosing can be tough, so for most people the solution is to watch half of a gig and half of the other one. Also, it is to be noted that the headliners don’t play as the last bands of the day, but they are booked for the “prime time” – that is from dusk to nightfall. Thus the natural conditions and the sky’s majesty add the best possible touch to the entire show.

The first major act (and a delightful appearance that pulled a great crowd) was the German heavy metal legend HELLOWEEN. The “Seven Sinners” album of 2010 was a revival which also put Andi Deris‘ vocals in the limelight. He sounded wonderful on the new songs, being an energetic and overpowering presence at the same time. Truly nice to watch him. “I Want Out” was inevitably sung, but still no “If I Could Fly”, which they constantly leave out. My personal favorite was the brilliant, bitter and rough “Where the Sinners Go“, one of the recent compositions and a serious piece of metal.  The band also had a rough start for this gig. What was supposed to be a true blast (and it was, for the first minute) turned to total failure. A failure of the electrical equipment. The Wacken stage couldn’t take the heaviness of the perfect anthemic opener “Are You Metal?“; it all went blank at the chorus. The band resumed it – blank again. And so one of the memorable killer festival moments was fully sabotaged. Nevertheless, the gig had successful moments, even for those complaining of Andi’s poor performance on the Kiske era songs.

Wacken is the place for your inner child! :)

Destiny made it so that I had to skip the Finnish BATTLE BEAST (which I strongly recommend, if you want to hear some old-school flavored heaviness and a very special front lady!), because in front of the Black Stage the ranks were getting packed and started an early choir in anticipation. It was time for the headliners BLIND GUARDIAN, with their only 2011 show in the homeland. The number of BG t-shirts worn was impressive. But what wasn’t, after all? A concert that I was sure would make it into history. With a reputation of being better on stage than on their (fantastic) records, the German symphonic-power-progressive band had an outstanding performance for 1h 30′. One cannot help but describe them in praise words, so bear with it! While still daylight, BG appeared in the sounds of the solemn and delightful “Sacred Worlds“. From the very first riffs we could realize they were doing a perfect job, as a very passionate musicians team. There was hardly any room for disappointment. Although Hansi Kürsch let out the high pitched vocal parts, he was perfect for the rest. Without a doubt, one of the most valued voices in metal! “Welcome to Dying” and “Nightfall” followed, forcing the crowd to sing along with the purest joy, and this didn’t really stop until the band was long gone off the stage, 2 hours later. Besides this, in partly random order, “Tanelorn“, “Traveller in Time“, “Lord of the Rings“, “Imaginations from the Other Side“, Into the Storm“, “Time stands Still (At the Iron Hill)“, “The Bard’s Song“, “Wheel of Time“, “Fly“, “Majesty“, “Valhalla“, “Mirror Mirror“. It is an impossible task to describe the skills of this band, the presence of Hansi – now much slimmer and younger looking and very simple in appearance – the passion on both sides, the atmosphere of the twilight (no better time!) and the awesome pyrotechnics towards the end, in the glorious night. Also the crowd surfing got unbearable – ecstatic fans were “floating” over the crowd, one after another. A mosh pit got formed, too. Thousands of voices were still singing the “Valhalla” chorus even after the bards were gone and the stage lights were off. Long after the event, heads were still filled with those tunes and the discussions were revolving around the most epic band of the world (regardless of people’s preferences in metal). At least the public’s attitude surely impressed those who were not fans of BG. This whole madness consumed, I had reasons to remain in the press tent and watch OZZY OSBOURNE on screens…

One word: EPIC. EPIC. EPIC. Oops, there were 3...

Friday, after so much partying and drinking, people were slowly waking up and moving towards the festival area. To have ENSIFERUM play at noon was a weird decision, but Wackeners are surprising creatures: they gathered in large numbers, filling the field to the entrance gates. There was no awkward morning silence, but heroic group shouts of  “Lai lai hei!” and “Ta-ta-ra-ra! ta-ta-ra-ra!”, showing that this is no band to ignore. Hooray to the Finns! The opener “From Afar” warmed up the audience, which was soon making circle pits and a wall of death. At the same time on the Party Stage was PRIMAL FEAR, e respectable name in the power/heavy metal area. I sacrificed a bit of the Finnish warriors’ show to go check that, and hearing the amazing “Seven Seals” performed live was precious… Later on, MORBID ANGEL crushes the Black Stage, but I’m in search of epicness and find the Party Stage… where the a capella band VAN CANTO is, a perfect party act and energizing entertainer. If you thought that rappers are good at creating and sustaining rhythm with their vocal chords, check this one out. 5 singers and a drummer only – enough to perform with force and harmony well-known metal tunes, such as “Wishmaster” (NIGHTWISH), “Primo Victoria” (SABATON), “Rebellion” (GRAVE DIGGER) “Fear of the Dark” (IRON MAIDEN), “Kings of Metal” (MANOWAR) and, again, “The Bard’s Song” (BLIND GUARDIAN). It was impressive and FUN!

Next in line for me was SODOM, the thrash metal legend itself. Thinking that KREATOR was also present in this year’s W:O:A, on Saturday, makes it easy to say that it was a thrash metaller’s dream… Further on, RHAPSODY OF FIRE and AS I LAY DYING would’ve been very interesting acts to see – both overlapping, unfortunately. In my great responsibility… I managed to miss both :) I caught, however, a band that was not on my list, but which dragged me with its insane energy: HEAVEN SHALL BURN. In full sunlight, with some good use of fire blasts on stage, it was not bad at all to watch. A musically aggressive German band with a strong social message.

Judas Priest on their final tour - the banner falls, audience is cheering loud

At 20:45 I was still in denial of what I was about to watch: JUDAS PRIEST on their farewell tour. and knowing there can be no better concert as in Wacken, this was definitely their ultimate show. 2h and 15′ for this heavy metal monster, equipped with all they had to bring so we could have the real taste of “British steel”. Regardless of age and preferences in metal, it was a Feast for all present souls. One does get goosebumps when, in front of them, legendary musicians of a respectable age deliver with passion heavy hymns that every rock club, rock radio and rock heart has known like a credo. Rob Halford (60), in spite of limited vocal power, did not leave it blank for the high-pitched parts. The band tried to go through its entire musical history – a wonderful, wonderful show – hardly anything can be so fulfilling in terms of metal experiences than being a part of this!

The festival rapture continued far in the night with the aristocratic treat APOCALYPTICA, emerging from the deep darkness… a very well chosen time, must say. They are good for the mysterious late hours of the night. And so they begin, with the wonderfully dark and mysterious “On the Rooftop with Quasimodo“, new track from their “7th Symphony” LP (2010). A perfect start  with its slow and anticipating pace, building up the tension so magically… For the continuation I expected the band would jump in our face with their own brilliant compositions. Instead, they chose to focus on Metallica covers. A logical choice somehow, because those were fit for the festival and kept the crowd singing along. The final song was… another cover: this time, Edward Grieg’s “Hall of the Mountain King“. The rest of the setlist: “2010“, “Master of Puppets” (Metallica cover), “Grace“, “Bring Them to Light“, “Last Hope“, “Nothing Else Matters” (Metallica cover), “Inquisition Symphony” (Sepultura cover), “Seek and Destroy” (Metallica cover), “I Don’t Care“. Personally, I think they were too much centered on that certain band instead of taking advantage and bringing their own compositions forward… I believe they were not invited twice in a row at W:O:A because they are good with covers, but because they are a well-established name with very original stuff they can boast with. Nevertheless, they’ve stayed very nice fellows, as hundreds of fans could see during the meet & greet session. Towards the end of the gig, deep fog coming down engulfed the area, creating an even more unreal atmosphere – something I haven’t seen in Wacken so far.

Apocalyptic fog at 3:00 am

Saturday’s opener: once again a heroic Finnish band – MOONSORROW. Starting mercilessly with “Kylän Pääsä“, the blood-painted warriors did their best to sound cold and war-like (not in black metal style though) and, although I wish the vocals were stronger, it was convincing enough. “Kivenkantaja” proves it quite well HERE. Bad playing time, however. This band’s show would’ve gained in pagan metal atmosphere if it happened sometime beyond midnight. At least that’s how I felt and still feel.

KATAKLYSM was another rough band to play among the starters – and an exhausting one for the fans. The Canadians death metallers, apart from raising a little Illuminati awareness, set up for a “security stress test“. The madness consisted of stimulating the fans to do a mass crowd surfing, a true ordeal for the guards in front of the stage. The surfers were exhilarated, running in ecstasy and giving the irons in a frenzy after they were dropped off by the security. MAYHEM and SEPULTURA followed on the big stages, but exhaustion was knocking at my door after a stroll in the village and I could only watch a bit on the screens. I replenished my force right on time for the first headliner of the day. In fact, this last day of W:O:A had so many headliners that it seemed too crazy to be true! There… ICED EARTH… Last appearance with their long-time vocalist Matt Barlow. A farewell concert that everyone knew would be true metal history. Matt’s performance was brilliant and very much involved with the crowd – the look on his face said it all. Also, the rest of the band wasn’t any less involved in the subtle drama we were all feeling. As guitarist and main man Jon Schaffer began his solemn speech, the fans began shouting Barlow’s name wholeheartedly. The musicians didn’t make it any easier by giving brotherly hugs to Matt, Freddie Vidales wearing a “MATT F*CKING BARLOW” t-shirt and ending the show with the “Iced Earth” track itself. Under melancholic grey skies, tears gathered in many eyes, it was hard not to feel the sadness. How weird to see a band that performs so close to perfection, still young, legendary to its core, parting ways with such a dedicated vocal. I don’t think we understood it – there was a somewhat puzzled feeling all around, although we knew it was the end. It was, however, an amazing event to store in one’s memory. The gratitude, respect and appreciation were reciprocated – a band as fabulous as its fans.  Matt lingered for a while in the V.I.P. area to shake hands with whoever wanted to greet him – and he wasn’t allowed to leave too soon.

Controversial as it may sound, the mood was high again really soon, when the festival grounds got filled for AVANTASIA at its only show of 2011. This one was bombastically advertised since last year and, out of curiosity and sincere admiration for the charming Tobias Sammet, a ‘god’ at the age of only 34, I joined the happy ranks. With a beer in my hand and a will to party, I got instantly carried away by the sumptuous show. Tobi is, by all means, a total artist.  Hard to describe my awe when my eyes met the guests: Jorn Lande (MASTERPLAN), Kai Hansen (GAMMA RAY, ex-HELLOWEEN), Michael Kiske (ex-HELLOWEEN) and more. To see such gods on stage was blissful. I think it started to rain, but it just didn’t matter. My personal favorite was “The Scarecrow“, a delicious duel between Sammet and Lande, remarkably executed. 1 h 30′ of awesome rock spirit that showed it doesn’t matter how aggressive or harsh your music is, but how passionate and professional you are and how good you feel on stage as an artist. The huge crowd’s response at the best metal fest in the world clearly showed it too. I skipped a half of an hour though to see LACRIMAS PROFUNDERE on the Wackinger stage (!?) – a German gothic metal band heavily inspired by the famous Finnish scene. They put on a satisfying show and they deserve kudos for how neat they sound – even after they changed the vocal – a change that’s usually catastrophic for bands which rely so much on the vocals  specific mood. The new guy sounds as dark and sexy as he should. Couples were swaying to the danceable music as the night was settling in.

Wackinger stage

these would make some cute gifts for kids and grannies

Showmaster Tobias Sammet on stage - Avantasia brings the color!

V.I.P. area

It is now the final night of the fest, but spirits are still high. More or less tired, we still keep going strong – it’s time for MOTÖRHEAD – legend No…? I gave up counting, so much for this W:O:A! Lemmy Kilmister, at the age of 65, no longer has the vocal chords he once had, but the show was still a great one: loud as hell, fast-paced rock music with the trademark flavor of the guitar riffs. “The Ace of Spades” represented the memorable moment awaited by both fans and ‘ousiders’ alike. I wish I had gone closer to the dense crowd, but I stayed far in the back, enjoying the last cup of mead before the weather turned iremediably worse.

CHILDREN OF BODOM (it is Sunday already, ouch!) was emphasized by an aggressive light show, with the obsessive bright green predominating. Alexi Laiho, careful with the etiquette, as usual, overused the F-word. “In Your Face” was marked by the Finnish rockstar by performing on a platform on stage and by hurrying to begin one chorus, a mistake to which he nonchalantly replied in the mic: “I f*ucked it up!!“. The show can be watched HERE along with the heavy rain that poured down, chasing lots of attendees to their tents and to their cars, afraid of the swamp to be created. Before the ever-exciting “Downfall“, Alexi makes another fun moment by telling Janne Wirman, “play your f*ucking thing (*looks to the wrong side of the stage*)… wherever the f*ck you are!!” (*looks on the good side*). And they all play it fantastically. More confusion on the side of the frontman, as we heard him asking, “Where is my f*ucking cow bell?!“. Alright, ladies and gens, that was the mighty CoB in the mighty last night of W:O:A 2011! They seemed to be there for fun and it was pretty cool! SUBWAY TO SALLY was the last act for the metal mecca, with a mix of Medieval tunes and rock that is much-loved in their German homeland… but by that time the crowd was separated into 2: the ones vanquished by the weather, in search of food/warmth/shelter and the last enthusiasts, who would remain to dance in the glorious mud. Gloriously and carelessly. Still, I can say it was a lucky year. Wacken in mud is just not nice. Not nice. There was one interesting fact about the desolate Sunday morning, though: on my way out I noticed that the tent landscape looked untouched and people hadn’t departed massively, like they did last year. It was a very different, unexpected  view, given the rain. It was the proof that Wacken rocked ’til the very last moment – Saturday was indeed crazy!

The wall of famous faces - this year's entertainers

What else to say about W:O:A 2011? That I am sorry for not seeing more bands, though I have no clue how it could’ve been possible… Be prepared with a few clones of yourself when you plan to attend this festival.

Milestones of W:O:A 2011:

- JUDAS PRIEST on their farewell tour

- the last ICED EARTH appearance with Matt Barlow

- the only German show of BLIND GUARDIAN this year

- the only show of AVANTASIA this year

With  a much improved organization than the previous  year, we had the same Wackinger Village packed with Nordic Medieval awesomeness, the Metal Market, the Bullhead tent with comedy shows, wrestling and various contests, the movie field and the huuuge campgrounds to use for acting out all funny and insane ideas. Much respect goes to the organizers for making it better than before! Respect to the villagers also, for their support and for wearing without hesitation the official Wacken t-shirts!

Whoever craves to see bits to full concerts from this 2011 edition can easily find such in Youtube, as these were broadcasted live by the  German t1elevision ZDFKultur and consequently uploaded.

Some of the next year’s headliners were announced right on the spot: we will rock along with AMON AMARTH, AXEL RUDI PELL, GAMMA RAY, HAMMERFALL, MINISTRY, SIX FEET UNDER and many more! Hurry to get your tickets for 2012 because 30.000 of them are ALREADY sold!!! To quote the Youtube user “TwDBladestyle”, “Wacken doesn’t even rock. WACKEN F*CKING METALS!!!

Many thanks to Marie Neumann @ Wacken.com, to my road fellows and to the Greek bands Deathclocks and InsIDeaD! \m/

I leave you now with some samples of “Wacken Looks” for your entertainment!

W:O:A 2010 (Part 2)

Welcome to the sequel of my first (and awesome) W:O:A experience. Many things are left to say.

The bands.

So, the festival started – it was for the 5th, 6th and 7th of August, also with the allowance to stay on the fields until 20:00 on Sunday. The event started in a magnificent way… I remember rushing to the gates while Doro was singing the Wacken anthem which we could hear on the website for the entire year, then we watched a hell of a line up entertain us: Alice Cooper, Motley Crue and Iron Maiden. I doubt everyone there was an oldies freak, but it was quite a show to hear the kings in these bands rock so hard after decades… Thank God they didn’t put W.A.S.P. for this day too! …Though I really loved this “A Night To Remember” concept, I had to make a radical switch of styles for a while, because the Finns of Ghost Brigade were playing in the tent stage. Well done, it was a band with very unique flavor in this year’s festival and I officially started my headbanging with them. Nordic harshness and coldness, typically melodic on aggressive tunes, with surprising slow or fast parts, all this in a very modern manner. I’m happy they made it here, they deserve it. Iron Maiden provided indescribable moments… and surely an indescribable attendance. It was well dark already, all the flames and light effects were at full splendor, showing what’s like to be in the biggest metal festival. By the end I could not believe it was only the first day! I was happy to get to hear top songs for me – “No More Lies“, which they perform very seldom as I know, and “Blood Brothers“, dedicated to the late Ronnie James Dio.

 

 

The Santas headbang to Apocalyptica

 

On Friday, I had to end my morning laziness very soon and rush to begin a very full day, even tougher than the previous one. I checked End of Green on the Party Stage and they sounded pretty good. I sometimes find their goth style to be very catchy, while still keeping a bitter and rough edge. On the True Metal Stage, however, a highlight was being prepared (at least for me…): Amorphis. My 5th time to see them, and no, I didn’t watch them just to support one of the few Finnish bands in Wacken. I got a spot in the second row, being very happy with that. They were pure bliss to my ears, now more than ever. With a clear, perfect sound, they pleased a whole crowd gathered before noon – and think how early that feels in a festival!! Not many surprises in the setlist, except for “Alone“, a former Pasi Koskinen hit, now sung flawlessly by Tomi Joutsen. And yeah, he made it sound fantastic, even to the fans of the original version!

 

 

Amorphis fans

 

 

The impressive stage lights

 

 

Immortal on stage

 

 

 

Kamelot pyro effects

 

Then there was Orphaned Land to watch, which is an interesting, progressive, exotic band. Mixing their metal with traditional sounds of Israel, they invited everyone to get in a positive state and to enjoy the amazing variety of cultures. Well done, a lot of success for this band, must mention! I went to see the heavy Astral Doors, then had a good break until I witness another highlight: Kamelot. At first, I only intended to see it for their songs which have raised my mood during the past years… but it proved to be so much more. A true show, with majestic entertainers on stage and a wonderful public stretching much to the back of the area. Also, there was one totaly epic moment in which the band had to stop in the middle of “Forever” because… everybody turned backwards to watch a ballon pass very low above the crowd :) The guys handled it well and resumed the gig, all filled with “headbangers’ hits” and some new, very tasty songs (I was sold to “The Great Pandemonium“). I had to skip some bands from my personal running order (like Equilibrium, which would’ve been such a folk metal treat, as well as 1349) but I caught a bit of Ihsahn, Slayer, Atrocity and Corvus Corax. It was getting confusing and frustrating, to be honest… Too much, and at the same time I had to keep track of my friends, cure my hunger and keep the cold away. Damn, it was cold. The much-awaited metal party until morning was not an option anymore.

 

 

The Jaegermeister platform

 

 

Reading the 'metal horoscope' in the festival newspaper

 

Saturday was killer hot. For a while, it was all about lying in the shade and drinking anything refreshing, except for alcohol. I saw Unleashed, fine death metal from Sweden in the vein of Amon Amarth and Kampfar, good black metal from Norway. I would’ve watched every bit of these, but they were at the same time, unfortunately! Delain followed (very good, but far from greatness without Marco Hietala…) then W.A.S.P. – my first time to see them, I was very excited… Looovely gig, but too short for me and with too few songs from the latest album. Stratovarius, the well-known Finns, were a band to remember! I expected a serious disappointment, yet they got the crowd cheering! Checked Immortal, Tiamat and U.D.O later on, but my main interest was in Rotting Christ, due to their superb album of 2010 (“Aealo”). Where were the calm and atmospheric passages? Where were the breaks? All I could hear was speed, force, speed, force. And it rocked!!! A very strong and ‘evil’ performance, leaving me in need to catch my breath. That was some pure metal energy, I swear. And there it was… the hottest day ended… with the coldest night. Too bad, it was also the last night of the festival… going through the campsite, I could tell the people were exhausted and maybe sad enough already. No more parties, no more shouting; for the first time, one could sleep in silence… which I felt extremely weird and saddening.

…Time to go back to beautiful Hamburg and join the afterparty in the famous (Headbangers’) Ballrom in the red light district of Reeperbahn.

Don’t forget…

W:O:A IS BEAUTIFUL!

 

 

Surreal art?:) "Tent in tree", by Wackeners

 

 

 

 

Symphony of destruction

 

Miscellanea:

  • The Hamburg airport confusion: As we arrived, we found ourselves in a hall with plenty of ways to take… We tried following several metalheads groups (“They’re going to Wacken, they must know!”), only to realize they were just as confused. Back to that hall. More groups were staring at us, hoping we would ‘lead’ the way… I don’t know who found the right way in the end and how…
  • Easy get-around. I hate the part of making my way in the big cities. This time, however, it was not impossible, even without knowing German. At first, a helpful local offered to show me how the ticket system works and then I could buy one myself whenever needed. The S-Bahn trains are cool, fast and the essential route is not hard to learn. also, booking and taking the Metal buses is a great thing.
  • No violence. Metal + endless alcohol + freedom might sounds like a dangerous mix. But no, nothing bad happens in Wacken, it’s ever peaceful. Freedom is the key here: people have the luxury of acting however they like – they compete against each other, ‘fight’, ‘battle’, run, scream, wrestle in mud when there’s such etc. Thus they spend the energy, and it brings a positive vibe; no need to get mad and beat people.
  • Camping issues: not many, because the weather was perfect most of the time, lucky year! Sleeping bags and good boots are compulsory though, anytime. Make sure you have proper food and drinks with you, to keep you resistant, because you’ll get very little sleep. No quiet hours, as was mentioned before, and as the sun rises high the heat becomes unbearable inside the tent. Safety – great. Nothing was ever stolen from anybody I knew.
  • Finnish presence: you figured out so far, the 2010 bill was poor in Finnish bands… There was one hope for many of us, however: the “Surprise Show” of the Red Bull bus. This year, Apocalyptica! Moreover, we are filled with pride and joy because the METAL BATTLE (with a total of 26 participant countries) was won by Battle Beast, which means Finland’s victory!

See you someday, somehow, at W:O:A!

Storm

Justice for SENTENCED

The ever-adored SENTENCED is a band with a legendary reputation in its hometown and now graveyard, Oulu. Although disbanded in 2005, the local fans have never ceased to keep their feelings strong.

It was a very special happening for me to find out from certain fans of the band, Oulu musicians even, a story that truly warmed my heart.

In 2003, Oulun Kärpät, the local ice hockey team, made a request of a support song, and inspired the metallers to write it. Titled “Routasydän”, the track was the first SENTENCED song with Finnish lyrics. The music was composed by guitarist Miika Tenkula, now deceased, and the lyrics were written by guitarist Sami Lopakka. It was included in a CD collection of songs in support of the team. So far, so good. But soon, trouble came. Some words in the text – “veri ja kunnia” (“blood and honor”) were isolated from the context by ill-thinking people, who accused the band of sympathy for the Nazi. The phrase, they noticed, was heavily used by Hitler supporters back in the days. Despite the fact that these musicians totally rejected Nazi ideas, the song was stopped from being played at hockey games. A huge disappointment for everyone…

The incident was also remarked by Blabbermouth and can be read here.

It is said that the “Ever-Frost” track from the last album is talking with bitterness and anger about this story. Once you know the story in the past, it’s easy to connect the dots. The title “Routasydän” roughly translated, in fact, to “ever-frozen heart”. Thus, the lyrics of the so bitter track become more clear. ”Those with hearts of ever-frost/ always know we never lost/ Flames rose high… Not enough to melt the ice“.

Now, in 2010, with Kärpät going strong, “Routasydän” has taken back its place! Fans of both the hockey team and the band announced with great joy that the hymn can now be heard in the Oulu hockey arena at every game! It was a season which brought the Sentenced song back to where it belonged…

Wacken Open Air 2010

Wacken Open Air 2010

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Introduction:

This year’s W:O:A started with rain and ticketing chaos, then proceeded with sunny weather, a fantastic line- up (probably one of the best in festival history), a sold out area (75.000 paying guests and 82.500 festival visitors all in all), tons of alcohol, fun and creative people who knew how to draw attention to themselves.

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Horns Up:

First of all I want to say: Kudos to the festival organization because of the ticketing chaos in the beginning. Hundreds of fake tickets have been sold on eBay. About 180 tickets have been notified by the police and in the beginning it was uncertain if those unlucky people were to be punished a second time by not being allowed to attend the festival. However, the festival organization did their very best and decided to let all the people who got cheated inside. This management decision deserves huge respect, as it was not to be self-evident. Horns up!!!

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Weather:

In the 21 years history of Wacken the weather has always been not controllable.  Rain –like hell-, (thunder-) storms, sun, grey clouds, winds and freezing- cold nights. W:O:A saw and felt nearly every kind of weather.

The weather forecast this year predicted rain for the whole weekend just seven days before the festival was about to start. We already suspected a mud wrestling on the festival and camping area. In Fact, the weather had nothing to do with what the German wetter.com (weather.com) told about. It was one of the sunniest and warmest W:O:A’s with the most beautiful sunrise and sunsets for all of the metalheads to see.

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Back to the Festival:

At first I would like to say a few things about the festival lineup, as it is definitely worth writing about.

Rock- and metal legends like “Alice Cooper”, “Iron Maiden”, “Mötley Crüe”, “ Slayer”, “Immortal”, “Stratovarius” and many more rocked the stages from 11 o’clock a.m. in the morning until the middle of the night and beyond that (3 o’clock a.m.). For those who still wanted to go ahead after all these great gigs, rambling from one stage to the other, circle pits, stage diving, crowd surfing and drinking, there was a place to go: Partying at the camping area or Metal Karaoke at W.E.T. Stage/ Headbangers Ballroom. It would have been nice to know how many people never found back to their own tents and just stayed somewhere, -in a ditch for example or in a stranger’s tent.

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Back to the bands and gigs:

Every single band gave their very best on stage.

The sound was great, the lightshows and pyrotechnics were awesome as well as the stage designs.

I could write about the gig of every single band at Wacken, but I guess this would go beyond the scope of this report. So I will write only some short lines about three bands in the line- up: Alice Cooper, Iron Maiden and last but not least Stratovarius.

Here you go:

For Alice Cooper fans the gig left nothing to be desired. Songs like “Schools out”, “Poison” etc. showed that Alice Cooper is still alive and is able to rock!

Maiden’s Bruce Dickinson (singer) seemed to be very hyperactive during their gig. He was running from the left to the middle, to the right side of the stage, back and in between. The setlist included many new songs but also a few classics like “Fear of the dark”. Although they played nearly without any pyrotechnics, the gig was great. It was more about music and less about fireworks. Horns up!!!

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Stratovarius convinced with a very powerful show. They had fun, a lot of stage smoke, while Kotipelto and the other guys animated the crowd to sing, to clap their hands and to have a great time.

As I expected, Stratovarius pleased their fans with jaw-dropping instrumental solos.  The concert was just great and it was very nice to see this band again after a few years.

Camping- Area:

In general, the camping area is not only for sleeping or staying. It is party central. A huge party place for creative people who would do anything just to get attention.

A pavilion, a tent, a barbecue grill and a table are absolute must-haves when coming here.

When watching the people and what they will bring to the camping area, you would never think, that they are only here for one week or just a weekend (and yes, it is normal that many people are camping here already one week before the festival actually starts).

They have generators for music, cool boxes, laptops (believe it or not, but for ten Euros you may purchase a wireless network connection on the camping fields), power outlets for charging mobile phones, cameras and so on, garden fences, self build stages and so much more.

If you want to listen to any kind of music you will find it somewhere on the camping area (Rock, Pop, Metal, Electro, whatever…), just walk around and you will find everything.

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All in all:

Wacken Open Air was and still is one of the very best music events in this world. It is not only a festival. It is an annual meeting for every single metal fan out there. It is very well known worldwide and visitors will attend from all around the globe.

Once in a year metal people will celebrate together. They will rock together, drink together and laugh together. It is simply amazing! For every metal fan who  has not been here yet:

It is really worth to go to!!! Horns up, and see YOU hopefully next year again!!!

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Wacken 2010 in numbers:

Visitors: 75,000

•    festival area: 200 hectare

•    festival infield: 48, 000 sqm

•    positioned and tarp-equipped site fence: 35 km

•    portable toilets: 450

•    flush lavatories: 7 units à 64 toilets

•    5 shower camps à 60 shower units

•    5 water stations à 40 wash places

•    5 drinking water stations à 12 fresh water pumps

•    2,500 cbm dirty water every day to be disposed

•    8 megawatts electric power capacity (matches the daily consumption of a provincial town)

•    there were laid 4km of cable (this saves about 68 diesel aggregates)

•    in addition to the normal electricity 65 diesel aggregates were required

•    6km flexible cable were laid, 280 breaker boxes were positioned

•    100 catering stands

•    300 non-food stands

•    65 articulated trucks with stage equipment ( 2,275 t )

•    6 articulated trucks with audio engineering

•    18 articulated trucks with light engineering

•    stage buildup: 7 days

•    stage removal: 2-3 days

•    2km mobile heavy duty street

•    240 office- and sleeping container units

•    75 tents and pagoda

•    60 person host- and organisator team

•    18 electricians

•    40 person site crew

•    15 person “water supply”

•    700 securities & marshals

•    70 buildup- und removal team

•    200 policemen on duty per day

•    200 firefighters on duty per day

•    200 paramedics on duty per day

•    4 emergency doctors

•    50 public authority representatives

•    107 bands (about 1,000 persons)

•    35 all-terrain flatbed trucks

•    40 offroad vehicles

•    30 fork lifts

•    40 shuttles

•    60 quad bikes

•    40 motor rollers

•    80 bicycles

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W:O:A 2010 (Part 1)

The Mecca of Metal… Every sane metalhead wants and has to go there at least once in a lifetime, for it is the craziest, the most magnetic, fulfilling, empowering experience of the kind.

It is a pilgrimage, with all the ordeals the term implies. It is prepared months in advance by most participants and usually takes several stages to reach the destination. This year, I saw people from all continents (it’s quite a unique and nice feeling to see an Afro headbanging to Nordic metal!) and I had watched various social networks to get the vibe – and what a vibe! Many were visibly concerned with the countdown! Calculating, anticipating, arranging, expressing enthusiasm, that’s what the web could show me from fellow pilgrims.

Tuesday, 3rd August

Yes, my first time in Wacken is this year! :D I took a night bus to Bucharest, then a plane to Munich and one to Hamburg, where I could roam almost freely for half a day, after a sleepless night (already). From Remedy Records the Metal Bus took me to the awesome place – Wacken village in the Schleswig – Holstein county of Germany (the northernmost!) …or Schlossgold – Holsten, my version :D

In the bus, there was a very loud group of Spanish dudes, singing metal anthems all the way and shouting whenever a road sign was at sight, hoping for the holy one to appear… I was very much amused and happy that the driver could focus so well in such noise and madness! Then, there it was, the mighty black tower with the bullhead, then the pretty houses and gardens of the village… and we were all rather silent, in amazement of such accomplishment. When stepping out, the first thing we got to see was the parking lot for buses and taxis. We followed the main road to the village and dived completely into the most amazing atmosphere: metalheads arriving by bus, metalheads driving their cars, metalheads already carrying beer from the supermarket, and all of them greeting randomly by happily shouting “WACKEEEEN!!!” It was on very rare occasions in my life that I had such a feeling of brotherhood, that people can still be nice to each other and enjoy what they can build together… The speakers were blasting brutal metal tracks, the well-known W:O:A duct tape stickers were proudly displayed on most of the cars, beer started to flow – and it was only Tuesday!

Cars driving in on Tuesday evening

Everyone happily greeting everyone

As the night drew in, I joined the bunches of people on the small field before the gates – those have set their camp there because not everybody wants to pay the 10€ fee for “early arrival”, which would be aborted at midnight, with the official opening of the camp ground. I also had to wait for my Finnish crew to arrive, as my festival ticket was with them… The mood never ceased to amaze me: nobody was just waiting – there were people wrestling, doing a wall of death, singing heroic songs around a sword (!) pinched into the ground and so on! One couldn’t help but just feel the euphoria!

Some kind of survivalists, perhaps :)

Wednesday, 4th August

A day to enjoy ourselves, without many gigs, but with the “Metal Battle”.
W:O:A is still not officially open. However, loads of stuff is already there to see and much action, so we’re on the move as we wake up. My delicacy of choice is the “Wackinger Village“, a wonderful space where my passion for medieval and Norse lifestyle was like at home! It has many tents with merchants, with bakers, cooks and such, with weaponry and various challenges brought from the history. There were knights, there were Vikings, ladies, pirates, magic potions, mead, swords and shields, even wooden ‘bathtubs’ in which people enjoyed some cold beer! But I’d rather let the pictures speak of the beauty and complexity of this sublime ground….

Nevertheless, one needs to mention the great attraction, the very home of the metalheads, the realm of total craziness: the CAMPGROUNDS! Me and my friends were somewhere in Campground D, on or near “Metallica Avenue” :D . We had average neighbours, to say so. One night, a few of them kept on trying to enter one of our tents, and they were insisting on that. Well, the first one was no surprise, but the second one doing so was a bit worrying. Besides these there were 2 more groups which I really liked. One of them was from UK. The neighbours got my mood very high, as they played Lordi, Korpiklaani, In Flames, Ex Deo and Rotting Christ – exactly with my favorite songs! Cheers guys!!

Actually the music is a very important aspect here in the campground. It never stops! It did only on Sunday early morning and it felt so eerie… Yeah, I really got used to it, blasting from several directions, loud as hell. No worries for my rest, I could easily sleep with all the noise, because I was exhausted. But seriously, Wacken never sleeps! At every given hour, some people must be awake! And they party, party, party with metal, metal, metal. Techno too, occasionally. To some, it may sound like hell, but I sincerely miss the Wacken “sleep time”, when I was drifting away to dreamland while listening to melodeath…. Oh yeah, and there were fireworks too, loads of them from nearby places.

How about the daytime in the campground? Oh well, that’s quite a topic! First, the tip for easy orientation: just take notice of the flags. Once you’ve kept in mind the flags in your area, you’re sure to never miss the spot. And remember the breakfast points/ toilets and stuff. The shower camps are not so many – only 5 of them in the whole place. And the campground is huuuge, it’s a town of its own! We were rather lucky, just 20 minutes away from the festival area. Anyway, the distance to walk proved to be extremely enjoyable, since a lot of people along the way were up for having Wacken-style fun. The most hilarious of all was the “slow motion zone” – you can watch it here and here. The fever went even further, and thus we got this “slow motion wall of death“. Or maybe you are interested in the “tent racing“! Then, some campers built a sort of hotel (!), others had their own bars and discos, pools and whatever was required for enjoyment and comfort. We only got ourselves a torch to light at night in the middle of our camp, to gather around it and worship the gods of metal, while sacrificing bottles of beer, sangria and whiskey. But soon some neighbours bought several torches for their open air terrace and ruined the whole mystic experience.

What to Wear at W:O:A

1. T-shirts with suggestive inscriptions
2. Kilt
3. Leather and bare skin
4. Long coats – they’re dark and they’re metal
5. Cowboy hats – almost a uniform
6. Costumes & cute dresses – where else to wear them freely?
7. The absolutely necessary Wacken t-shirt
8. Any warrior clothing will do… (doesn’t always have to be medieval, does it?)

What to Buy

This has to be the occasion on which a metalhead can enjoy the sight of all lovely items for his soul, for his travelling and home. I was warned before, “Take some extra money with you, you won’t resist what they sell there!”. It was more than right. After all, the average metal dude/dudette has at least a slight fascination for the medieval, the dark and the creepy, for skulls, weapons, black garments, specific jewelry and such. I was dreaming of Norse artifacts and got them. I was lusting for royal long coats à la Kamelot’s Roy Khan and found them. All is very well organized: Wackinger Village is for the ancient and traditional, while the Metal Market is for the modern, the glam, the gothic, the thrashy and even more. Swords, chain mail and helmets are available there too.

What the forefathers used to wear: these are replicas of centuries-old artifacts from Scandinavian and Finnish cultures

The Village

I trained myself well in advance with youtube videos, so it was no surprise that the village and its dwellers were all at peace with such brutal happening and actually supporting it, in many ways. It was lovely to see those beautiful houses displaying W:O:A flags at their doors or windows, and many of them were actually catering for the visitors by selling home baked food and even setting up a bar or terrace for the drinkers, which were always gathering happy customers. It felt like the festival had absolutely no limits and the metal spirit was everywhere. Strange and disappointing fact though, most of the village stores employees, as well as most in-site festival bartenders seemed to have no clue about English. They wouldn’t understand not even the too common words, and were constantly trying to fool people (assuming they were all drunk) when they gave the change back. Well, one wouldn’t expect such treatment in Germany. It happened several times to my friends, and I’m sure there were other victims too.

Apart from that, most Germans are very helpful. If you’re lost or in any need of help, they make sure that you find your way and get what you have to. And they’re open minded people, even the grannies. They know that W:O:A does no harm… Moreover, it’s good for the economy! All their gardens are lush and the homes are perfectly looking! I adored the Wacken village, it’s such a visual treat.

Full metal village, definitely

Pretty and welcoming homes

Local kids help the metalheads and earn money

Very appropriate name ;)

The W:O:A Office on the main street and another nice service to use

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