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The ARTmania festival, which takes place each summer in the medieval city of Sibiu, Romania, has quickly become the favorite local event for the fans of Finnish metal. Having debuted in 2006, Finnish bands were the only foreign bands playing at the festival that year; HIM, Amorphis, Carmen Gray and Silentium – the last two bands performing live outside Finland for the first time ever. The following years brought even more famous Finnish bands; Tarot in 2007, Nightwish as a headliner in 2009, and Swallow The Sun in 2010. In 2011, Tarja Turunen performed live for the fourth time in Romania on the 12th of August, while Sonata Arctica played for the first time ever for Romanian fans on the 13th of August.

Three different stages were set up for 2011′s edition; the main stage for foreign artists in the Large Square, in the center of Sibiu, a smaller stage for local bands, a few minutes’ walk, in the Small Square, and a third stage, for afterparties and concerts taking place during the night, 8 kilometers away from the city center, in the middle of a forest. In addition to concerts, the festival included several other events; meet and greets, painting and concert pictures exhibitions, workshops, free entry to local museums, book releases, a Harley Davidson motorcycle exhibition and parade, and free entry to the Transylvania Tattoo Expo, taking place in the same weekend.

One great thing about ARTmania festival is that the audience is allowed to stay in the concert area during the whole day, as they are kicked out and let right back in to check the tickets before the concerts start in the evening. The people who arrive early are sometimes lucky enough to be able to watch the soundchecks, in those cases when the musicians show up and participate in them. At 13:00, Tarja’s musicians got on stage, and she also appeared later. Around 100 people were in front of the stage at that time, and the band played three songs; “Dark Star”, “My Little Phoenix” and “Where Were You Last Night”. Both the band and the audience seemed to really enjoy the experience, as fans are not usually allowed to attend soundchecks.

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Band focus: GRENDEL


Until several years ago, “Finnish metal” was used to describe a certain group of bands that would get their inspiration from SENTENCED and carry on with the same melancholy, heartache and gothic tunes.  Soon there was not much left to say in this genre, so it faded away towards extinction. Was Finland going nowhere? Of course not. With new inspiration in its great melodic death metal acts, it began to develop its own brand of the genre.

GRENDEL‘s cross to bear in the Land of Metal is a tough one; the melodeath area becomes overcrowded already, there are simply too many bands and too good to make possible long-term successes like those from past decades. This explains why I, for example, am writing about this band in 2011 (they began in 2000). There were many occasions in which I encountered its name, it was getting a grip on my memory, but I got too emerged into other bands to check it… However, the effect of the discovery was a fast and mind-blowing one. I haven’t known such enthusiasms for a Finnish band since I got into SWALLOW THE SUN, which actually has quite a sound connection to GRENDEL. On some tracks, that is. I must mention the diversity of which this band is capable! From numbing melancholy to downright anger and aggressiveness. A great plus is that these musicians engage in acoustic and cover gigs – truly awesome stuff. By all evidence, they love what they’re doing and they invest a lot in it, expanding the experience.

So far I have befriended only their latest 2 albums, “A Change Through Destruction” (2008) and “Corrupt to the Core” (2011) If Mikko Kotamäki (SWALLOW THE SUN) impressed with his clean/growl duality of vocals, this time another Mikko takes it to an even higher level. The clean vocals of Mr. Virtanen are able to sustain much more with their richness and depth. Their specific sound is inviting, dark, seductive – at the same time intimidating – without the “unfortunate trait” of many such vocals in death metal, that manage to decrease the testosterone levels and to sound out of place. No, Mikko Virtanen is blessed with an unforgettable voice that adds depth. On the brutal vocals aspect, he does it fantastically also. There is raw power and harshness which, combined with well-crafted guitar riffs (like in “Apocalyptic Rain“) are a great metal treat. On tracks like “The Deaf Cult“, the slower pace and doom atmosphere remind of the aforementioned co-nationals. A bitter, blue-hearted, haunting masterpiece. The deeper and wider growls are something remarkable here. Its equivalent on the newer album seems to be “Five Years Without the Sun“, the difference being that this one is sung in clean vocals entirely, with the help of guitarist Mika Kivi (a nice surprise). “One Desire” is a song that probably makes AMORPHIS wish they wrote it. Also Tomi Joutsen has a serious challenge in front of this roaring lion – Mikko Virtanen – and his energy (can’t help but appreciate the storming stage presence).

I find their 2008 album to be somewhat richer than the one of 2011 – as the band made better use of the qualities they had and their uniqueness. “Half Life” can be an example for the state of the art for GRENDEL: it exhibits the best of melody composition, the best of Mikko’s vocals and technique and a perfect unity of message  + atmosphere + execution. However, among their new tracks there are great compositions too, such as  “Silver Tongues“, that gave me visions of a crushing gig at a big open air festival, with a crazy crowd and some fine pyrotechnics. This 2011 record is more brutal, fit for moshing, with more consistent guitar work (watch the killer riffing in “Day of Redemption“). It’s a release that shines on the faster and heavier side but lacks on the side of clean vocals, which are not used to their full potential on some tunes.

The lyrical themes of GRENDEL mostly deal with soul search, guilt and penance,  mankind’s current state and so on. All in all, very introspective lyrics that maintain the band in the “top quality” area. It is a deeply human journey through many levels and aspects of life, put on a variety of rhythms. Definitely, the foremost qualities of this band stand in the various genres they visit, the vocals and the live appearances. Just can’t get bored with them.

Go meet this monster on the Metallia Perkele! -tour this autumn!

 
GRENDEL is:
Mikko Virtanen (Vocals)
Mika Kivi (Guitars, Background vocals)
Jussi Kraft (Guitars)
Kari Martikainen (Bass)
Juha Terrilä (Keyboards)
Jarkko Piipari (Drums)
Official website

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W:O:A 2011


Official banner of W:O:A

4 – 6 AUGUST, SCHLESWIG-HOLSTEIN, GERMANY

SOLD OUT 6 February 2011 (6th time in a row)

Under the daring line Blasting Europe in August, the king of all metal festivals reaches in 2011 its 22nd year and, once again, deserves all biggest words of praise. The fields hosted total number of over 85 000 participants, out of which 75 000 were ticket owners (according to a German law, the number is not allowed to grow – otherwise, this festival would’ve grown to monstrous sizes for sure).

If last year I delivered a much-encompassing guide and a longer coverage as a first-time Wackener, this time I will be just going through the new, the unchanged but very good, the particular moments to remember and – of course – the Finnish appearances. In 2011 Finland was represented by well-established names: ENSIFERUM, APOCALYPTICA, CHILDREN OF BODOM, MOONSORROW and, in support of last year’s glory, BATTLE BEAST who won the already renowned Metal Battle of the bands. Also the amusing humppa (Finnish polka) cover band Eläkeläiset  was among the guests, as W:O:A is not all about being dark and grim.

As the numbers on the website visitor counter goes numb because of too many simultaneous guests, the camping fields around the metal village become populated with enthusiasts from all over the world. It’s the weekend before the festival. Metalheads do this from 2 big reasons: to avoid traffic jams in midweek and to enjoy the sweet camping life for as long as possible. Same story as years before, people are making early arrivals in spite of the measures taken to control the phenomenon. The organizers have raised the fees for the early ones, but in vain it seems. Anyhow, 10 and 20 euro don’t make a whole in the budget of those who love Wacken.  Unfortunately I arrived on the holy grounds on Wednesday evening, which is quite late, but felt the celebration atmosphere starting with Hamburg central station. There, I already met fellows selling Wacken tickets, which got some raised brows, as many of these tickets can be counterfeit. This is a serious thing, because enough people were tricked and unfortunate enough to return home from the festival gates…

Travel tip: to go cheap, go carpooling; check websites such as Mitfahrzentrale – they usually have a version in English, too, or simply go to the international ones. Car sharing is a very effective way to reach the festival especially if you are in Germany, as you can find lots of daily rides to Hamburg or straight to Wacken (that also means travelling in company of metal brothers). People also advertise there group train tickets, which turn to have a ridiculously small price. Join them in the adventure!

Itzehoe Welcome Point

Itzehoe is the last stop before the metal village and the mood was uplifting. The small station with its shops was crowded with metalheads looking for beer with a contagious over-enthusiasm! An official welcome point was set there to provide us with beer and informative papers on the festival and camping grounds, as well as the opening hours of all facilities. No time for waiting, the shuttle buses come fast and the “all in” ticket costs only 8 euro. The transportation is very well organized and I don’t think anyone can be in trouble with it. Thumbs up for the organizers, their efforts led to great results!

"Rejoyce, you are in Wacken"

The campsite together with the festival grounds (Wacken Center, Wackinger Village, the beergarden, the food area, the 6 stages, the movie field) are a complex, well-thought structure, and it is possible at any step to wonder where you are and where to head to. Luckily, at crossroads and many other important points there are big maps with the very helpful “You are here” marks. Also the guards are ready to help the lost ones anytime. The problem with the printed maps we were given was that the writing was too small and thus difficult to read, even when sober.

Another trouble was going through the village in search of the Press Check In, placed so far away. The same spot was also for the guests and VIPs. Waiting in line with all our stuff around us wasn’t too pleasant, but finally getting our passes and bracelets was relieving and we easily set our minds on the coming beer to drink and the enchanted Wacken night.

Need more?

Campsite A is packed. No cars allowed here

Mornings can be so nice and sweet in Wacken. Perhaps the clean fresh air and the ever going joyous mood does wonders to the drinkers, as they wake up each day with new forces! In fact, I’ve seen party people who barely stopped in the morning. In any case, few have the occasion to take a longer break than a few hours. The people are (over-) friendly and their survival goods are easily shared with any guest or anyone in need, it seems. The opportunities for fun are always countless – they are up to everyone’s crazy imagination. After you have your Wacken baptism, you may pass through the traditional Slow Motion Zone, watch a tent “bullfight” or have a fun ride on whatever object is appropriate :-) Also, don’t be surprised if the Air Guitar contest turns into a striptease show!

Useful tip: Ask and it is given! I wouldn’t have believed it at first, but a newly gained buddy showed me it’s possible. When you’re in need of beer, just go ask for it politely to the nearest tent. You will be surprised how fast they are to help, the Wackeners. We got 2 :)

Having a hot coffee made with love and care in the camping, some schnitzel and grilled sausages, me and the fellows were ready to go and live the show! Great bands can be found scheduled even early in the day, at noon, like ENSIFERUM and MOONSORROW. Strange choices, however. Their music fits heavy drinking and a later time of the day, with cheering mood instead of morning sleepiness. That was said by many around.

On Thursday morning, grey skies and drizzle menaces our joy. Warm clothes, as well as something to protect from the rain are already necessary. It’s a bad omen to get this weather so early in the week. From the press area I catch a part of the BLIND GUARDIAN sound check – it is fabulous! The way they sounded showed that the band is definitely well prepared and ready for tonight’s (expected) mighty appearance: a stunning professional act and an epic celebration. Looking forward! I went on through the place filled with this energizing feeling of content for the day that had just started. The festival, in spite of the weather, was following its normal rhythm: people coming back and forth from the supermarket, going for drinks, waiting in great numbers to buy official merchandise, taking photos in a frenzy, crowding the beer garden and so on. It is time for the first gigs also. The Wacken Firefighters are the traditional openers, followed this year by the crazy band RUSSKAJA singing Russian polka music mixed with some fun melodies. The atmosphere had been more than warmed up already, time for some serious metal. Again – traditionally – SKYLINE & Guests (Doro Pesch, Chris of Grave Digger, U.D.O...) to perform the beloved Wacken hymn.

The most important thing about the running order at W:O:A is that… it has no mercy. From 12:00 to 03:00 the next day, bands play simultaneously on the impressive stages and usually at least some big names will overlap with some others. Choosing can be tough, so for most people the solution is to watch half of a gig and half of the other one. Also, it is to be noted that the headliners don’t play as the last bands of the day, but they are booked for the “prime time” – that is from dusk to nightfall. Thus the natural conditions and the sky’s majesty add the best possible touch to the entire show.

The first major act (and a delightful appearance that pulled a great crowd) was the German heavy metal legend HELLOWEEN. The “Seven Sinners” album of 2010 was a revival which also put Andi Deris‘ vocals in the limelight. He sounded wonderful on the new songs, being an energetic and overpowering presence at the same time. Truly nice to watch him. “I Want Out” was inevitably sung, but still no “If I Could Fly”, which they constantly leave out. My personal favorite was the brilliant, bitter and rough “Where the Sinners Go“, one of the recent compositions and a serious piece of metal.  The band also had a rough start for this gig. What was supposed to be a true blast (and it was, for the first minute) turned to total failure. A failure of the electrical equipment. The Wacken stage couldn’t take the heaviness of the perfect anthemic opener “Are You Metal?“; it all went blank at the chorus. The band resumed it – blank again. And so one of the memorable killer festival moments was fully sabotaged. Nevertheless, the gig had successful moments, even for those complaining of Andi’s poor performance on the Kiske era songs.

Wacken is the place for your inner child! :)

Destiny made it so that I had to skip the Finnish BATTLE BEAST (which I strongly recommend, if you want to hear some old-school flavored heaviness and a very special front lady!), because in front of the Black Stage the ranks were getting packed and started an early choir in anticipation. It was time for the headliners BLIND GUARDIAN, with their only 2011 show in the homeland. The number of BG t-shirts worn was impressive. But what wasn’t, after all? A concert that I was sure would make it into history. With a reputation of being better on stage than on their (fantastic) records, the German symphonic-power-progressive band had an outstanding performance for 1h 30′. One cannot help but describe them in praise words, so bear with it! While still daylight, BG appeared in the sounds of the solemn and delightful “Sacred Worlds“. From the very first riffs we could realize they were doing a perfect job, as a very passionate musicians team. There was hardly any room for disappointment. Although Hansi Kürsch let out the high pitched vocal parts, he was perfect for the rest. Without a doubt, one of the most valued voices in metal! “Welcome to Dying” and “Nightfall” followed, forcing the crowd to sing along with the purest joy, and this didn’t really stop until the band was long gone off the stage, 2 hours later. Besides this, in partly random order, “Tanelorn“, “Traveller in Time“, “Lord of the Rings“, “Imaginations from the Other Side“, Into the Storm“, “Time stands Still (At the Iron Hill)“, “The Bard’s Song“, “Wheel of Time“, “Fly“, “Majesty“, “Valhalla“, “Mirror Mirror“. It is an impossible task to describe the skills of this band, the presence of Hansi – now much slimmer and younger looking and very simple in appearance – the passion on both sides, the atmosphere of the twilight (no better time!) and the awesome pyrotechnics towards the end, in the glorious night. Also the crowd surfing got unbearable – ecstatic fans were “floating” over the crowd, one after another. A mosh pit got formed, too. Thousands of voices were still singing the “Valhalla” chorus even after the bards were gone and the stage lights were off. Long after the event, heads were still filled with those tunes and the discussions were revolving around the most epic band of the world (regardless of people’s preferences in metal). At least the public’s attitude surely impressed those who were not fans of BG. This whole madness consumed, I had reasons to remain in the press tent and watch OZZY OSBOURNE on screens…

One word: EPIC. EPIC. EPIC. Oops, there were 3...

Friday, after so much partying and drinking, people were slowly waking up and moving towards the festival area. To have ENSIFERUM play at noon was a weird decision, but Wackeners are surprising creatures: they gathered in large numbers, filling the field to the entrance gates. There was no awkward morning silence, but heroic group shouts of  “Lai lai hei!” and “Ta-ta-ra-ra! ta-ta-ra-ra!”, showing that this is no band to ignore. Hooray to the Finns! The opener “From Afar” warmed up the audience, which was soon making circle pits and a wall of death. At the same time on the Party Stage was PRIMAL FEAR, e respectable name in the power/heavy metal area. I sacrificed a bit of the Finnish warriors’ show to go check that, and hearing the amazing “Seven Seals” performed live was precious… Later on, MORBID ANGEL crushes the Black Stage, but I’m in search of epicness and find the Party Stage… where the a capella band VAN CANTO is, a perfect party act and energizing entertainer. If you thought that rappers are good at creating and sustaining rhythm with their vocal chords, check this one out. 5 singers and a drummer only – enough to perform with force and harmony well-known metal tunes, such as “Wishmaster” (NIGHTWISH), “Primo Victoria” (SABATON), “Rebellion” (GRAVE DIGGER) “Fear of the Dark” (IRON MAIDEN), “Kings of Metal” (MANOWAR) and, again, “The Bard’s Song” (BLIND GUARDIAN). It was impressive and FUN!

Next in line for me was SODOM, the thrash metal legend itself. Thinking that KREATOR was also present in this year’s W:O:A, on Saturday, makes it easy to say that it was a thrash metaller’s dream… Further on, RHAPSODY OF FIRE and AS I LAY DYING would’ve been very interesting acts to see – both overlapping, unfortunately. In my great responsibility… I managed to miss both :) I caught, however, a band that was not on my list, but which dragged me with its insane energy: HEAVEN SHALL BURN. In full sunlight, with some good use of fire blasts on stage, it was not bad at all to watch. A musically aggressive German band with a strong social message.

Judas Priest on their final tour - the banner falls, audience is cheering loud

At 20:45 I was still in denial of what I was about to watch: JUDAS PRIEST on their farewell tour. and knowing there can be no better concert as in Wacken, this was definitely their ultimate show. 2h and 15′ for this heavy metal monster, equipped with all they had to bring so we could have the real taste of “British steel”. Regardless of age and preferences in metal, it was a Feast for all present souls. One does get goosebumps when, in front of them, legendary musicians of a respectable age deliver with passion heavy hymns that every rock club, rock radio and rock heart has known like a credo. Rob Halford (60), in spite of limited vocal power, did not leave it blank for the high-pitched parts. The band tried to go through its entire musical history – a wonderful, wonderful show – hardly anything can be so fulfilling in terms of metal experiences than being a part of this!

The festival rapture continued far in the night with the aristocratic treat APOCALYPTICA, emerging from the deep darkness… a very well chosen time, must say. They are good for the mysterious late hours of the night. And so they begin, with the wonderfully dark and mysterious “On the Rooftop with Quasimodo“, new track from their “7th Symphony” LP (2010). A perfect start  with its slow and anticipating pace, building up the tension so magically… For the continuation I expected the band would jump in our face with their own brilliant compositions. Instead, they chose to focus on Metallica covers. A logical choice somehow, because those were fit for the festival and kept the crowd singing along. The final song was… another cover: this time, Edward Grieg’s “Hall of the Mountain King“. The rest of the setlist: “2010“, “Master of Puppets” (Metallica cover), “Grace“, “Bring Them to Light“, “Last Hope“, “Nothing Else Matters” (Metallica cover), “Inquisition Symphony” (Sepultura cover), “Seek and Destroy” (Metallica cover), “I Don’t Care“. Personally, I think they were too much centered on that certain band instead of taking advantage and bringing their own compositions forward… I believe they were not invited twice in a row at W:O:A because they are good with covers, but because they are a well-established name with very original stuff they can boast with. Nevertheless, they’ve stayed very nice fellows, as hundreds of fans could see during the meet & greet session. Towards the end of the gig, deep fog coming down engulfed the area, creating an even more unreal atmosphere – something I haven’t seen in Wacken so far.

Apocalyptic fog at 3:00 am

Saturday’s opener: once again a heroic Finnish band – MOONSORROW. Starting mercilessly with “Kylän Pääsä“, the blood-painted warriors did their best to sound cold and war-like (not in black metal style though) and, although I wish the vocals were stronger, it was convincing enough. “Kivenkantaja” proves it quite well HERE. Bad playing time, however. This band’s show would’ve gained in pagan metal atmosphere if it happened sometime beyond midnight. At least that’s how I felt and still feel.

KATAKLYSM was another rough band to play among the starters – and an exhausting one for the fans. The Canadians death metallers, apart from raising a little Illuminati awareness, set up for a “security stress test“. The madness consisted of stimulating the fans to do a mass crowd surfing, a true ordeal for the guards in front of the stage. The surfers were exhilarated, running in ecstasy and giving the irons in a frenzy after they were dropped off by the security. MAYHEM and SEPULTURA followed on the big stages, but exhaustion was knocking at my door after a stroll in the village and I could only watch a bit on the screens. I replenished my force right on time for the first headliner of the day. In fact, this last day of W:O:A had so many headliners that it seemed too crazy to be true! There… ICED EARTH… Last appearance with their long-time vocalist Matt Barlow. A farewell concert that everyone knew would be true metal history. Matt’s performance was brilliant and very much involved with the crowd – the look on his face said it all. Also, the rest of the band wasn’t any less involved in the subtle drama we were all feeling. As guitarist and main man Jon Schaffer began his solemn speech, the fans began shouting Barlow’s name wholeheartedly. The musicians didn’t make it any easier by giving brotherly hugs to Matt, Freddie Vidales wearing a “MATT F*CKING BARLOW” t-shirt and ending the show with the “Iced Earth” track itself. Under melancholic grey skies, tears gathered in many eyes, it was hard not to feel the sadness. How weird to see a band that performs so close to perfection, still young, legendary to its core, parting ways with such a dedicated vocal. I don’t think we understood it – there was a somewhat puzzled feeling all around, although we knew it was the end. It was, however, an amazing event to store in one’s memory. The gratitude, respect and appreciation were reciprocated – a band as fabulous as its fans.  Matt lingered for a while in the V.I.P. area to shake hands with whoever wanted to greet him – and he wasn’t allowed to leave too soon.

Controversial as it may sound, the mood was high again really soon, when the festival grounds got filled for AVANTASIA at its only show of 2011. This one was bombastically advertised since last year and, out of curiosity and sincere admiration for the charming Tobias Sammet, a ‘god’ at the age of only 34, I joined the happy ranks. With a beer in my hand and a will to party, I got instantly carried away by the sumptuous show. Tobi is, by all means, a total artist.  Hard to describe my awe when my eyes met the guests: Jorn Lande (MASTERPLAN), Kai Hansen (GAMMA RAY, ex-HELLOWEEN), Michael Kiske (ex-HELLOWEEN) and more. To see such gods on stage was blissful. I think it started to rain, but it just didn’t matter. My personal favorite was “The Scarecrow“, a delicious duel between Sammet and Lande, remarkably executed. 1 h 30′ of awesome rock spirit that showed it doesn’t matter how aggressive or harsh your music is, but how passionate and professional you are and how good you feel on stage as an artist. The huge crowd’s response at the best metal fest in the world clearly showed it too. I skipped a half of an hour though to see LACRIMAS PROFUNDERE on the Wackinger stage (!?) – a German gothic metal band heavily inspired by the famous Finnish scene. They put on a satisfying show and they deserve kudos for how neat they sound – even after they changed the vocal – a change that’s usually catastrophic for bands which rely so much on the vocals  specific mood. The new guy sounds as dark and sexy as he should. Couples were swaying to the danceable music as the night was settling in.

Wackinger stage

these would make some cute gifts for kids and grannies

Showmaster Tobias Sammet on stage - Avantasia brings the color!

V.I.P. area

It is now the final night of the fest, but spirits are still high. More or less tired, we still keep going strong – it’s time for MOTÖRHEAD – legend No…? I gave up counting, so much for this W:O:A! Lemmy Kilmister, at the age of 65, no longer has the vocal chords he once had, but the show was still a great one: loud as hell, fast-paced rock music with the trademark flavor of the guitar riffs. “The Ace of Spades” represented the memorable moment awaited by both fans and ‘ousiders’ alike. I wish I had gone closer to the dense crowd, but I stayed far in the back, enjoying the last cup of mead before the weather turned iremediably worse.

CHILDREN OF BODOM (it is Sunday already, ouch!) was emphasized by an aggressive light show, with the obsessive bright green predominating. Alexi Laiho, careful with the etiquette, as usual, overused the F-word. “In Your Face” was marked by the Finnish rockstar by performing on a platform on stage and by hurrying to begin one chorus, a mistake to which he nonchalantly replied in the mic: “I f*ucked it up!!“. The show can be watched HERE along with the heavy rain that poured down, chasing lots of attendees to their tents and to their cars, afraid of the swamp to be created. Before the ever-exciting “Downfall“, Alexi makes another fun moment by telling Janne Wirman, “play your f*ucking thing (*looks to the wrong side of the stage*)… wherever the f*ck you are!!” (*looks on the good side*). And they all play it fantastically. More confusion on the side of the frontman, as we heard him asking, “Where is my f*ucking cow bell?!“. Alright, ladies and gens, that was the mighty CoB in the mighty last night of W:O:A 2011! They seemed to be there for fun and it was pretty cool! SUBWAY TO SALLY was the last act for the metal mecca, with a mix of Medieval tunes and rock that is much-loved in their German homeland… but by that time the crowd was separated into 2: the ones vanquished by the weather, in search of food/warmth/shelter and the last enthusiasts, who would remain to dance in the glorious mud. Gloriously and carelessly. Still, I can say it was a lucky year. Wacken in mud is just not nice. Not nice. There was one interesting fact about the desolate Sunday morning, though: on my way out I noticed that the tent landscape looked untouched and people hadn’t departed massively, like they did last year. It was a very different, unexpected  view, given the rain. It was the proof that Wacken rocked ’til the very last moment – Saturday was indeed crazy!

The wall of famous faces - this year's entertainers

What else to say about W:O:A 2011? That I am sorry for not seeing more bands, though I have no clue how it could’ve been possible… Be prepared with a few clones of yourself when you plan to attend this festival.

Milestones of W:O:A 2011:

- JUDAS PRIEST on their farewell tour

- the last ICED EARTH appearance with Matt Barlow

- the only German show of BLIND GUARDIAN this year

- the only show of AVANTASIA this year

With  a much improved organization than the previous  year, we had the same Wackinger Village packed with Nordic Medieval awesomeness, the Metal Market, the Bullhead tent with comedy shows, wrestling and various contests, the movie field and the huuuge campgrounds to use for acting out all funny and insane ideas. Much respect goes to the organizers for making it better than before! Respect to the villagers also, for their support and for wearing without hesitation the official Wacken t-shirts!

Whoever craves to see bits to full concerts from this 2011 edition can easily find such in Youtube, as these were broadcasted live by the  German t1elevision ZDFKultur and consequently uploaded.

Some of the next year’s headliners were announced right on the spot: we will rock along with AMON AMARTH, AXEL RUDI PELL, GAMMA RAY, HAMMERFALL, MINISTRY, SIX FEET UNDER and many more! Hurry to get your tickets for 2012 because 30.000 of them are ALREADY sold!!! To quote the Youtube user “TwDBladestyle”, “Wacken doesn’t even rock. WACKEN F*CKING METALS!!!

Many thanks to Marie Neumann @ Wacken.com, to my road fellows and to the Greek bands Deathclocks and InsIDeaD! \m/

I leave you now with some samples of “Wacken Looks” for your entertainment!

Stratovarius – Elysium


Elysium is the second Stratovarius album after Timo Tolkki gathered his stuff and left. Many things have been said over the years but the thing that really matters is the music and Stratovarius delivers what their fans expect. But then again, it’s enough to have Kotipelto singing and Johansson play his keyboards to make it sound like Stratovarius. It’s the sound we all got used to during the last few decades. And on that aspect nothing has changed :)

Elysium is an ok album actually. But the gap between the best songs and the worst songs is huge. Songs like Darkest Hours, Under Flaming Skies, Infernal Maze (excluding the horrible intro), Event Horizon and epic titletrack Elysium are simply amazing but then again songs like The Game Never Ends, Lifetime In A Moment and Move The Mountain are pure crap in my opinion. And then comes the interesting part…all the good stuff is composed by newest member Matias Kupiainen (and Under Flaming Skies co-written by Kotipelto) and the not so good songs by Johansson and Porra. Clearly both Johansson and Porra are world class musicians and good composers on their own genre but they really should leave the composing of Stratovarius songs to someone else. I am quite certain Matias would’ve had 3 more songs in his sleeve to make this album even better.

Elysium covers basically everything. They have fast songs, mid tempo songs, ballads of course and then the huge 18-minute epic Elysium. I must say it’s been a long time since Stratovarius gave me goosebumps but this titletrack did. One would imagine that making a song that lasts 18 minutes is impossible to carry all the way but Elysium does. It feels like 5 minutes really. I think Stratovarius is in good hands with Matias as long as they let him do his thing.

If they would’ve had only 6 songs on the album I would have given it 10 straight. With other songs unfortunately it won’t reach that high. But at the end of the day this will satisfy Stratovarius fans just fine.

Review: 7/10

Elysium tracklisting:

  1. Darkest Hours
  2. Under Flaming Skies
  3. Infernal Maze
  4. Fairness Justified
  5. The Game Never Ends
  6. Lifetime In A Moment
  7. Move The Mountain
  8. Event Horizon
  9. Elysium

Stratovarius is:

Timo Kotipelto – Vocals
Jens Johansson – Keyboards
Matias Kupiainen – Guitars
Lauri Porra – Bass
Jörg Michael – Drums

Stratovarius on internet:

www.stratovarius.com
www.metalfromfinland.com/Stratovarius
www.facebook.com

W:O:A 2010 (Part 2)


Welcome to the sequel of my first (and awesome) W:O:A experience. Many things are left to say.

The bands.

So, the festival started – it was for the 5th, 6th and 7th of August, also with the allowance to stay on the fields until 20:00 on Sunday. The event started in a magnificent way… I remember rushing to the gates while Doro was singing the Wacken anthem which we could hear on the website for the entire year, then we watched a hell of a line up entertain us: Alice Cooper, Motley Crue and Iron Maiden. I doubt everyone there was an oldies freak, but it was quite a show to hear the kings in these bands rock so hard after decades… Thank God they didn’t put W.A.S.P. for this day too! …Though I really loved this “A Night To Remember” concept, I had to make a radical switch of styles for a while, because the Finns of Ghost Brigade were playing in the tent stage. Well done, it was a band with very unique flavor in this year’s festival and I officially started my headbanging with them. Nordic harshness and coldness, typically melodic on aggressive tunes, with surprising slow or fast parts, all this in a very modern manner. I’m happy they made it here, they deserve it. Iron Maiden provided indescribable moments… and surely an indescribable attendance. It was well dark already, all the flames and light effects were at full splendor, showing what’s like to be in the biggest metal festival. By the end I could not believe it was only the first day! I was happy to get to hear top songs for me – “No More Lies“, which they perform very seldom as I know, and “Blood Brothers“, dedicated to the late Ronnie James Dio.

 

 

The Santas headbang to Apocalyptica

 

On Friday, I had to end my morning laziness very soon and rush to begin a very full day, even tougher than the previous one. I checked End of Green on the Party Stage and they sounded pretty good. I sometimes find their goth style to be very catchy, while still keeping a bitter and rough edge. On the True Metal Stage, however, a highlight was being prepared (at least for me…): Amorphis. My 5th time to see them, and no, I didn’t watch them just to support one of the few Finnish bands in Wacken. I got a spot in the second row, being very happy with that. They were pure bliss to my ears, now more than ever. With a clear, perfect sound, they pleased a whole crowd gathered before noon – and think how early that feels in a festival!! Not many surprises in the setlist, except for “Alone“, a former Pasi Koskinen hit, now sung flawlessly by Tomi Joutsen. And yeah, he made it sound fantastic, even to the fans of the original version!

 

 

Amorphis fans

 

 

The impressive stage lights

 

 

Immortal on stage

 

 

 

Kamelot pyro effects

 

Then there was Orphaned Land to watch, which is an interesting, progressive, exotic band. Mixing their metal with traditional sounds of Israel, they invited everyone to get in a positive state and to enjoy the amazing variety of cultures. Well done, a lot of success for this band, must mention! I went to see the heavy Astral Doors, then had a good break until I witness another highlight: Kamelot. At first, I only intended to see it for their songs which have raised my mood during the past years… but it proved to be so much more. A true show, with majestic entertainers on stage and a wonderful public stretching much to the back of the area. Also, there was one totaly epic moment in which the band had to stop in the middle of “Forever” because… everybody turned backwards to watch a ballon pass very low above the crowd :) The guys handled it well and resumed the gig, all filled with “headbangers’ hits” and some new, very tasty songs (I was sold to “The Great Pandemonium“). I had to skip some bands from my personal running order (like Equilibrium, which would’ve been such a folk metal treat, as well as 1349) but I caught a bit of Ihsahn, Slayer, Atrocity and Corvus Corax. It was getting confusing and frustrating, to be honest… Too much, and at the same time I had to keep track of my friends, cure my hunger and keep the cold away. Damn, it was cold. The much-awaited metal party until morning was not an option anymore.

 

 

The Jaegermeister platform

 

 

Reading the 'metal horoscope' in the festival newspaper

 

Saturday was killer hot. For a while, it was all about lying in the shade and drinking anything refreshing, except for alcohol. I saw Unleashed, fine death metal from Sweden in the vein of Amon Amarth and Kampfar, good black metal from Norway. I would’ve watched every bit of these, but they were at the same time, unfortunately! Delain followed (very good, but far from greatness without Marco Hietala…) then W.A.S.P. – my first time to see them, I was very excited… Looovely gig, but too short for me and with too few songs from the latest album. Stratovarius, the well-known Finns, were a band to remember! I expected a serious disappointment, yet they got the crowd cheering! Checked Immortal, Tiamat and U.D.O later on, but my main interest was in Rotting Christ, due to their superb album of 2010 (“Aealo”). Where were the calm and atmospheric passages? Where were the breaks? All I could hear was speed, force, speed, force. And it rocked!!! A very strong and ‘evil’ performance, leaving me in need to catch my breath. That was some pure metal energy, I swear. And there it was… the hottest day ended… with the coldest night. Too bad, it was also the last night of the festival… going through the campsite, I could tell the people were exhausted and maybe sad enough already. No more parties, no more shouting; for the first time, one could sleep in silence… which I felt extremely weird and saddening.

…Time to go back to beautiful Hamburg and join the afterparty in the famous (Headbangers’) Ballrom in the red light district of Reeperbahn.

Don’t forget…

W:O:A IS BEAUTIFUL!

 

 

Surreal art?:) "Tent in tree", by Wackeners

 

 

 

 

Symphony of destruction

 

Miscellanea:

  • The Hamburg airport confusion: As we arrived, we found ourselves in a hall with plenty of ways to take… We tried following several metalheads groups (“They’re going to Wacken, they must know!”), only to realize they were just as confused. Back to that hall. More groups were staring at us, hoping we would ‘lead’ the way… I don’t know who found the right way in the end and how…
  • Easy get-around. I hate the part of making my way in the big cities. This time, however, it was not impossible, even without knowing German. At first, a helpful local offered to show me how the ticket system works and then I could buy one myself whenever needed. The S-Bahn trains are cool, fast and the essential route is not hard to learn. also, booking and taking the Metal buses is a great thing.
  • No violence. Metal + endless alcohol + freedom might sounds like a dangerous mix. But no, nothing bad happens in Wacken, it’s ever peaceful. Freedom is the key here: people have the luxury of acting however they like – they compete against each other, ‘fight’, ‘battle’, run, scream, wrestle in mud when there’s such etc. Thus they spend the energy, and it brings a positive vibe; no need to get mad and beat people.
  • Camping issues: not many, because the weather was perfect most of the time, lucky year! Sleeping bags and good boots are compulsory though, anytime. Make sure you have proper food and drinks with you, to keep you resistant, because you’ll get very little sleep. No quiet hours, as was mentioned before, and as the sun rises high the heat becomes unbearable inside the tent. Safety – great. Nothing was ever stolen from anybody I knew.
  • Finnish presence: you figured out so far, the 2010 bill was poor in Finnish bands… There was one hope for many of us, however: the “Surprise Show” of the Red Bull bus. This year, Apocalyptica! Moreover, we are filled with pride and joy because the METAL BATTLE (with a total of 26 participant countries) was won by Battle Beast, which means Finland’s victory!

See you someday, somehow, at W:O:A!

Storm

Justice for SENTENCED


The ever-adored SENTENCED is a band with a legendary reputation in its hometown and now graveyard, Oulu. Although disbanded in 2005, the local fans have never ceased to keep their feelings strong.

It was a very special happening for me to find out from certain fans of the band, Oulu musicians even, a story that truly warmed my heart.

In 2003, Oulun Kärpät, the local ice hockey team, made a request of a support song, and inspired the metallers to write it. Titled “Routasydän”, the track was the first SENTENCED song with Finnish lyrics. The music was composed by guitarist Miika Tenkula, now deceased, and the lyrics were written by guitarist Sami Lopakka. It was included in a CD collection of songs in support of the team. So far, so good. But soon, trouble came. Some words in the text – “veri ja kunnia” (“blood and honor”) were isolated from the context by ill-thinking people, who accused the band of sympathy for the Nazi. The phrase, they noticed, was heavily used by Hitler supporters back in the days. Despite the fact that these musicians totally rejected Nazi ideas, the song was stopped from being played at hockey games. A huge disappointment for everyone…

The incident was also remarked by Blabbermouth and can be read here.

It is said that the “Ever-Frost” track from the last album is talking with bitterness and anger about this story. Once you know the story in the past, it’s easy to connect the dots. The title “Routasydän” roughly translated, in fact, to “ever-frozen heart”. Thus, the lyrics of the so bitter track become more clear. ”Those with hearts of ever-frost/ always know we never lost/ Flames rose high… Not enough to melt the ice“.

Now, in 2010, with Kärpät going strong, “Routasydän” has taken back its place! Fans of both the hockey team and the band announced with great joy that the hymn can now be heard in the Oulu hockey arena at every game! It was a season which brought the Sentenced song back to where it belonged…

Wacken Open Air 2010


Wacken Open Air 2010

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Introduction:

This year’s W:O:A started with rain and ticketing chaos, then proceeded with sunny weather, a fantastic line- up (probably one of the best in festival history), a sold out area (75.000 paying guests and 82.500 festival visitors all in all), tons of alcohol, fun and creative people who knew how to draw attention to themselves.

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Horns Up:

First of all I want to say: Kudos to the festival organization because of the ticketing chaos in the beginning. Hundreds of fake tickets have been sold on eBay. About 180 tickets have been notified by the police and in the beginning it was uncertain if those unlucky people were to be punished a second time by not being allowed to attend the festival. However, the festival organization did their very best and decided to let all the people who got cheated inside. This management decision deserves huge respect, as it was not to be self-evident. Horns up!!!

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Weather:

In the 21 years history of Wacken the weather has always been not controllable.  Rain –like hell-, (thunder-) storms, sun, grey clouds, winds and freezing- cold nights. W:O:A saw and felt nearly every kind of weather.

The weather forecast this year predicted rain for the whole weekend just seven days before the festival was about to start. We already suspected a mud wrestling on the festival and camping area. In Fact, the weather had nothing to do with what the German wetter.com (weather.com) told about. It was one of the sunniest and warmest W:O:A’s with the most beautiful sunrise and sunsets for all of the metalheads to see.

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Back to the Festival:

At first I would like to say a few things about the festival lineup, as it is definitely worth writing about.

Rock- and metal legends like “Alice Cooper”, “Iron Maiden”, “Mötley Crüe”, “ Slayer”, “Immortal”, “Stratovarius” and many more rocked the stages from 11 o’clock a.m. in the morning until the middle of the night and beyond that (3 o’clock a.m.). For those who still wanted to go ahead after all these great gigs, rambling from one stage to the other, circle pits, stage diving, crowd surfing and drinking, there was a place to go: Partying at the camping area or Metal Karaoke at W.E.T. Stage/ Headbangers Ballroom. It would have been nice to know how many people never found back to their own tents and just stayed somewhere, -in a ditch for example or in a stranger’s tent.

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Back to the bands and gigs:

Every single band gave their very best on stage.

The sound was great, the lightshows and pyrotechnics were awesome as well as the stage designs.

I could write about the gig of every single band at Wacken, but I guess this would go beyond the scope of this report. So I will write only some short lines about three bands in the line- up: Alice Cooper, Iron Maiden and last but not least Stratovarius.

Here you go:

For Alice Cooper fans the gig left nothing to be desired. Songs like “Schools out”, “Poison” etc. showed that Alice Cooper is still alive and is able to rock!

Maiden’s Bruce Dickinson (singer) seemed to be very hyperactive during their gig. He was running from the left to the middle, to the right side of the stage, back and in between. The setlist included many new songs but also a few classics like “Fear of the dark”. Although they played nearly without any pyrotechnics, the gig was great. It was more about music and less about fireworks. Horns up!!!

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Stratovarius convinced with a very powerful show. They had fun, a lot of stage smoke, while Kotipelto and the other guys animated the crowd to sing, to clap their hands and to have a great time.

As I expected, Stratovarius pleased their fans with jaw-dropping instrumental solos.  The concert was just great and it was very nice to see this band again after a few years.

Camping- Area:

In general, the camping area is not only for sleeping or staying. It is party central. A huge party place for creative people who would do anything just to get attention.

A pavilion, a tent, a barbecue grill and a table are absolute must-haves when coming here.

When watching the people and what they will bring to the camping area, you would never think, that they are only here for one week or just a weekend (and yes, it is normal that many people are camping here already one week before the festival actually starts).

They have generators for music, cool boxes, laptops (believe it or not, but for ten Euros you may purchase a wireless network connection on the camping fields), power outlets for charging mobile phones, cameras and so on, garden fences, self build stages and so much more.

If you want to listen to any kind of music you will find it somewhere on the camping area (Rock, Pop, Metal, Electro, whatever…), just walk around and you will find everything.

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All in all:

Wacken Open Air was and still is one of the very best music events in this world. It is not only a festival. It is an annual meeting for every single metal fan out there. It is very well known worldwide and visitors will attend from all around the globe.

Once in a year metal people will celebrate together. They will rock together, drink together and laugh together. It is simply amazing! For every metal fan who  has not been here yet:

It is really worth to go to!!! Horns up, and see YOU hopefully next year again!!!

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Wacken 2010 in numbers:

Visitors: 75,000

•    festival area: 200 hectare

•    festival infield: 48, 000 sqm

•    positioned and tarp-equipped site fence: 35 km

•    portable toilets: 450

•    flush lavatories: 7 units à 64 toilets

•    5 shower camps à 60 shower units

•    5 water stations à 40 wash places

•    5 drinking water stations à 12 fresh water pumps

•    2,500 cbm dirty water every day to be disposed

•    8 megawatts electric power capacity (matches the daily consumption of a provincial town)

•    there were laid 4km of cable (this saves about 68 diesel aggregates)

•    in addition to the normal electricity 65 diesel aggregates were required

•    6km flexible cable were laid, 280 breaker boxes were positioned

•    100 catering stands

•    300 non-food stands

•    65 articulated trucks with stage equipment ( 2,275 t )

•    6 articulated trucks with audio engineering

•    18 articulated trucks with light engineering

•    stage buildup: 7 days

•    stage removal: 2-3 days

•    2km mobile heavy duty street

•    240 office- and sleeping container units

•    75 tents and pagoda

•    60 person host- and organisator team

•    18 electricians

•    40 person site crew

•    15 person “water supply”

•    700 securities & marshals

•    70 buildup- und removal team

•    200 policemen on duty per day

•    200 firefighters on duty per day

•    200 paramedics on duty per day

•    4 emergency doctors

•    50 public authority representatives

•    107 bands (about 1,000 persons)

•    35 all-terrain flatbed trucks

•    40 offroad vehicles

•    30 fork lifts

•    40 shuttles

•    60 quad bikes

•    40 motor rollers

•    80 bicycles

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W:O:A 2010 (Part 1)


The Mecca of Metal… Every sane metalhead wants and has to go there at least once in a lifetime, for it is the craziest, the most magnetic, fulfilling, empowering experience of the kind.

It is a pilgrimage, with all the ordeals the term implies. It is prepared months in advance by most participants and usually takes several stages to reach the destination. This year, I saw people from all continents (it’s quite a unique and nice feeling to see an Afro headbanging to Nordic metal!) and I had watched various social networks to get the vibe – and what a vibe! Many were visibly concerned with the countdown! Calculating, anticipating, arranging, expressing enthusiasm, that’s what the web could show me from fellow pilgrims.

Tuesday, 3rd August

Yes, my first time in Wacken is this year! :D I took a night bus to Bucharest, then a plane to Munich and one to Hamburg, where I could roam almost freely for half a day, after a sleepless night (already). From Remedy Records the Metal Bus took me to the awesome place – Wacken village in the Schleswig – Holstein county of Germany (the northernmost!) …or Schlossgold – Holsten, my version :D

In the bus, there was a very loud group of Spanish dudes, singing metal anthems all the way and shouting whenever a road sign was at sight, hoping for the holy one to appear… I was very much amused and happy that the driver could focus so well in such noise and madness! Then, there it was, the mighty black tower with the bullhead, then the pretty houses and gardens of the village… and we were all rather silent, in amazement of such accomplishment. When stepping out, the first thing we got to see was the parking lot for buses and taxis. We followed the main road to the village and dived completely into the most amazing atmosphere: metalheads arriving by bus, metalheads driving their cars, metalheads already carrying beer from the supermarket, and all of them greeting randomly by happily shouting “WACKEEEEN!!!” It was on very rare occasions in my life that I had such a feeling of brotherhood, that people can still be nice to each other and enjoy what they can build together… The speakers were blasting brutal metal tracks, the well-known W:O:A duct tape stickers were proudly displayed on most of the cars, beer started to flow – and it was only Tuesday!

Cars driving in on Tuesday evening

Everyone happily greeting everyone

As the night drew in, I joined the bunches of people on the small field before the gates – those have set their camp there because not everybody wants to pay the 10€ fee for “early arrival”, which would be aborted at midnight, with the official opening of the camp ground. I also had to wait for my Finnish crew to arrive, as my festival ticket was with them… The mood never ceased to amaze me: nobody was just waiting – there were people wrestling, doing a wall of death, singing heroic songs around a sword (!) pinched into the ground and so on! One couldn’t help but just feel the euphoria!

Some kind of survivalists, perhaps :)

Wednesday, 4th August

A day to enjoy ourselves, without many gigs, but with the “Metal Battle”.
W:O:A is still not officially open. However, loads of stuff is already there to see and much action, so we’re on the move as we wake up. My delicacy of choice is the “Wackinger Village“, a wonderful space where my passion for medieval and Norse lifestyle was like at home! It has many tents with merchants, with bakers, cooks and such, with weaponry and various challenges brought from the history. There were knights, there were Vikings, ladies, pirates, magic potions, mead, swords and shields, even wooden ‘bathtubs’ in which people enjoyed some cold beer! But I’d rather let the pictures speak of the beauty and complexity of this sublime ground….

Nevertheless, one needs to mention the great attraction, the very home of the metalheads, the realm of total craziness: the CAMPGROUNDS! Me and my friends were somewhere in Campground D, on or near “Metallica Avenue” :D . We had average neighbours, to say so. One night, a few of them kept on trying to enter one of our tents, and they were insisting on that. Well, the first one was no surprise, but the second one doing so was a bit worrying. Besides these there were 2 more groups which I really liked. One of them was from UK. The neighbours got my mood very high, as they played Lordi, Korpiklaani, In Flames, Ex Deo and Rotting Christ – exactly with my favorite songs! Cheers guys!!

Actually the music is a very important aspect here in the campground. It never stops! It did only on Sunday early morning and it felt so eerie… Yeah, I really got used to it, blasting from several directions, loud as hell. No worries for my rest, I could easily sleep with all the noise, because I was exhausted. But seriously, Wacken never sleeps! At every given hour, some people must be awake! And they party, party, party with metal, metal, metal. Techno too, occasionally. To some, it may sound like hell, but I sincerely miss the Wacken “sleep time”, when I was drifting away to dreamland while listening to melodeath…. Oh yeah, and there were fireworks too, loads of them from nearby places.

How about the daytime in the campground? Oh well, that’s quite a topic! First, the tip for easy orientation: just take notice of the flags. Once you’ve kept in mind the flags in your area, you’re sure to never miss the spot. And remember the breakfast points/ toilets and stuff. The shower camps are not so many – only 5 of them in the whole place. And the campground is huuuge, it’s a town of its own! We were rather lucky, just 20 minutes away from the festival area. Anyway, the distance to walk proved to be extremely enjoyable, since a lot of people along the way were up for having Wacken-style fun. The most hilarious of all was the “slow motion zone” – you can watch it here and here. The fever went even further, and thus we got this “slow motion wall of death“. Or maybe you are interested in the “tent racing“! Then, some campers built a sort of hotel (!), others had their own bars and discos, pools and whatever was required for enjoyment and comfort. We only got ourselves a torch to light at night in the middle of our camp, to gather around it and worship the gods of metal, while sacrificing bottles of beer, sangria and whiskey. But soon some neighbours bought several torches for their open air terrace and ruined the whole mystic experience.

What to Wear at W:O:A

1. T-shirts with suggestive inscriptions
2. Kilt
3. Leather and bare skin
4. Long coats – they’re dark and they’re metal
5. Cowboy hats – almost a uniform
6. Costumes & cute dresses – where else to wear them freely?
7. The absolutely necessary Wacken t-shirt
8. Any warrior clothing will do… (doesn’t always have to be medieval, does it?)

What to Buy

This has to be the occasion on which a metalhead can enjoy the sight of all lovely items for his soul, for his travelling and home. I was warned before, “Take some extra money with you, you won’t resist what they sell there!”. It was more than right. After all, the average metal dude/dudette has at least a slight fascination for the medieval, the dark and the creepy, for skulls, weapons, black garments, specific jewelry and such. I was dreaming of Norse artifacts and got them. I was lusting for royal long coats à la Kamelot’s Roy Khan and found them. All is very well organized: Wackinger Village is for the ancient and traditional, while the Metal Market is for the modern, the glam, the gothic, the thrashy and even more. Swords, chain mail and helmets are available there too.

What the forefathers used to wear: these are replicas of centuries-old artifacts from Scandinavian and Finnish cultures

The Village

I trained myself well in advance with youtube videos, so it was no surprise that the village and its dwellers were all at peace with such brutal happening and actually supporting it, in many ways. It was lovely to see those beautiful houses displaying W:O:A flags at their doors or windows, and many of them were actually catering for the visitors by selling home baked food and even setting up a bar or terrace for the drinkers, which were always gathering happy customers. It felt like the festival had absolutely no limits and the metal spirit was everywhere. Strange and disappointing fact though, most of the village stores employees, as well as most in-site festival bartenders seemed to have no clue about English. They wouldn’t understand not even the too common words, and were constantly trying to fool people (assuming they were all drunk) when they gave the change back. Well, one wouldn’t expect such treatment in Germany. It happened several times to my friends, and I’m sure there were other victims too.

Apart from that, most Germans are very helpful. If you’re lost or in any need of help, they make sure that you find your way and get what you have to. And they’re open minded people, even the grannies. They know that W:O:A does no harm… Moreover, it’s good for the economy! All their gardens are lush and the homes are perfectly looking! I adored the Wacken village, it’s such a visual treat.

Full metal village, definitely

Pretty and welcoming homes

Local kids help the metalheads and earn money

Very appropriate name ;)

The W:O:A Office on the main street and another nice service to use

LULLACRY: We are still very much alive!


LullacryLullacry simply vanished from the Finnish metalscene few years ago and I for one happened to miss them a lot. What ever happened to them was never told to public at least through media so it was my pleasure to get the chance and interview the guitarist/composer Sami and vocalist Tanja. And of course ask what is going on in the Lullacry camp these days.

So how has this ongoing heatwave taken in Lullacry-camp?

Sami: No Perkele! We have been drinking a lot! Even water :) We’ve had a solid 35 degrees Celcius in our training camp and it makes a person sweat…a lot! In a kinky and perverted way it’s cool cause that way you can get yourself in this gig mood since you are sweating like there’s no tomorrow…and beer is always good haha :)

Tanja: For once we have this long and hot heatwave here in Finland so we shouldn’t complain. Let’s just make the most of it.

Sami: That’s our Tanja, all about summer. She even changes her colour to dark brown during the summer.

Tanja: Hehheh

In the statement on your website it says Lullacry is without a label at the moment. What happened and has there been any chances on that recently?

Sami: Well things got actually as screwed as humanly possible. We got offers from many labels and from those we ended up with this german label. Then started the process of making the deal itself, going through details of the contract and it was process that lasted many months. And then one day all communication completely stopped. Just like that. After trying to contact them numerous of times we got a response from their head of A&R that “sorry guys, I couldn’t get all the label people behind this.” I was like “What? You guys sort of reserved us for 9 months and then you give this?”. Well I realized the whole situation while reading Soundi-magazine where they told that the label went bankrupt. They are operating again nowadays so they probably got their shit sorted out.

But even if we had all the studios reserved, we would’ve got Hiili Hiilesmaa to produce the album it was for the best that it didn’t happen back then. Cause the new songs and the situation in general is so much better now. Maybe we started proceeding this whole thing too carelessly with a demo that wasn’t as good as it could’ve been and even the songs were still looking for shape.

And yes at the moment we are without a label. Not that we have actively even looked one either. We are focusing now on making new music and just taking our time to see what happens. We’ve been contacted all the way from Japan but we are not going to move forward until we are 100% happy with the songs and everything surrounding them. I do have a record full of songs ready so basically we are looking good at the moment.

Are you planning to record your 5th album even if you didn’t have a label behind you?

Sami: Well theoretically it would be possible yes but some sort of finance should be in order to make things work. And I do want a producer for the album. Or I can always produce it myself but I am not a cheap guy hah hah :D

After your Vol 4-album Lullacry sort of disappeared out of the blue. Was it because of this hassle with the label that made you kinda disappear?

Sami: Yes it was loud and clear at least from my part. I putted everything on hold and didn’t do any Lullacry stuff for a year. Well I did started doing some songs after a couple of months cause it is what I do best so when I feel empty or otherwise crappy, I write songs. Escapism maybe. Escape from reality to this mystical world where I just combine sounds in different order and that way create something incredibly beatiful yet very ugly and mean…or incredible horseshit haha! I also started composing songs to my other band R.O.C.K and that was a very therapeutic process and it gave me belief on my writing skills…so the journey continues.

Some years ago you made some shows in US and other places as well. Is your main target still outside of Finland or are you happy with the success you have here?

Tanja: Hell no it’s not enough what we have here in Finland hahhaa :D We want more :)

Sami: Of course the main target for Lullacry is outside of Finland. Of course the realities in life put some boundaries on these things. Nowadays we couldn’t pack the van and hit the road for 2 months just like that. Especially with all expenses payed by the band. But all those US tours and other gigs and festivals outside of Finland were the ones that left us the greatest memories. I am not saying it’s not fun to do shows in Finland. We have excellent memories from Tuska where we played 3 years in a row, Nummirock etc.

Are the songs for the new album done yet and if so, when it’s time to hit the studio?

Sami: We are currently demoing some of the songs and the rest of them are in my head and on harddrive and as I said earlier, now it’s time to just take things slowly and see where we’re heading. We are not going to make like 10 albums anymore so it’s better to do the ones that we do right. So when we are sitting in our rocking chairs we won’t need to feel embarrased towards the latter part of our discography heh :)

What kind of new material can we expect from Lullacry?

Tanja: All the new songs are their own little stories. It has been a lot of fun doing the news songs and I am feeling very excited about them.

Sami: As the main composer I must say that it has been so cool to just write what comes out from my head, without any pressure. The problem with Vol. 4 was that subconciously I tried to make an album that people were expecting. Or what I thought they were expecting :) Who knows really. Heavy, rocking tunes with good melodies and that’s what it became. But still it wasn’t 100% honest I might say cause the motivation was a bit false.

But now if there comes easy listening, so be it. Or the contrary. But if you look at some of the working titles of the songs I’d say that it will become a definate Lullacry album people will recognize. “Testament”, “Amerikan Hit Song”, “AliceInChains”, “old School-Lulla” etc. Those are just working titles for some of the songs :)

Let’s dig some past shall we? After Be My God album Tanya was replaced by Tanja. Was it just a coincidence that you got a vocalist with almost the same name? Both them them are pronounced exactly alike.

Sami: We most definately wanted a vocalist with the same name hehe :D We also considered having a male vocalist. His name would have been Tan-ya and he would’ve been korean. Now we don’t need a new vocalist, Tanja has been in the roster for 8-years already. But if we would have a new one some day, it would be Tania as one reporter stated some time ago hehe :D

Best gig memory?

Tanja: Rock Im Ring, Collalbo 2003. It just happened to be my birthday the same day and the organizer got me a very nice birthday cake as a surprise. That remained as a very nice memory. But if I think what was the best memory for a show it must have been in our North-American tour on 2004 when we played in Seattle. The vibes were incredible and people really digged our stuff.

Sami: Well there has been those but I do agree with Tanja about Rock Im Ring. Also it was awesome to take part on Milwaukee MetalFest in US where we supported Strapping Young Lad and Ice-T:s Body Count. 25 minutes of showtime in front of 14000 people. The trip lasted 7 days so we had some time to hammer down couple of Miller-beers :D The beginning of the gig was sort of bad cause after the song people weren’t doing much. I could just hear from the frontrow “Kiss My Ass” but in the end people were sort of digging it.

The best outside gig memory would be hanging out in Los Angeles on the roof of Sunset Strip. There was a pool there…priceless. It was the US tour with Lullacry supporting Nightwish. This hotel happened to be the same where Kiss composed their “Rock And Roll All Nite”-song and Led Zeppeling broke one hotel room and of course Ewo, the manager of Nightwish burnt his back blue :D

Worst gig memory?

Sami: Supporting Edguy and the first gig on that tour in Fulda, Germany. After the first song you could have heard the needle dropping to the ground :D And there were couple of thousand people there. But we got them warm towards the end nevertheless. On that particular gig my pants got torn from the ass and that is always a bucket of laughs :D Once I lost a tooth in a gig in Kankaanpää, Finland when I hit it against the microphone. And the Tuskaisin (Tuska=pain) gig was in Tuska 2003. I had a horrible stomach flu I got in Italy and I hadn’t eaten basically anything for a week. Yet I dropped stuff on my pants a couple of times that day :D

Tanja: Actually there hasn’t been a gig yet that I would consider a worst memory although I have done dozens of gigs with Lullacry. So should I say it’s still coming someday? Of course there are always those “Spinal Tap”-moments but those things simply just happen. Personally when we are touring I need quite a lot of sleep and if the guys are making noise I will turn on my “bitch”-mode. Probably not a good sight for the guys heh ;)

Sami: I must say that it’s not a good sight yes hehheh :)

Tanja: How is it being the only female member in the band? I’ve heard many stories from bands that have only one woman saying that they have occational problems of understanding those ogres and their stunts.

Tanja: It has never been a problem for me to be the only woman in this band. I have 2 big brothers so maybe I am sort of adapted to this male behaviour. And you can go far with humour so there hasn’t been any problems.

Tanja: Do you still remember your first gig with Lullacry? How did it go and how nervous were you?

Tanja: The very first gig was so-called unofficial gig in Helsinki. We played under a pseudonym in a bar. Don’t even remember the name of the place. Don’t even think it exists anymore.

Sami: I think it was Stella Star or something in Sturenkatu. We played 3 gigs under pseudonyms which were of course names of alcohol beverages. Tequila Sunrise, Harvey Wallbanger and a third which I don’t remember now. It wasn’t Kossuvissy though :D

Tanja: The first official Lullacry gig for me was in Tavastia, Helsinki. It was quite funny cause it was the first time I was in Tavastia :) Guys were laughing at me saying “Woman comes to Tavastia for the first time and immediately on stage!” The first gigs I was scared shitless really. I am the type of person who gets nervous easily and maybe there is some panic disorder involved too so naturally it makes my stage performance a bit more difficult. But usually I am able to cope with these manias quite well. However there has been couple of occations I have locked totally like in an interview. In those cases I have given a picture of me which really doesn’t reflect the reality…putting it mildly :D

Sami: Well her stage performance has…how would I put it…improved a lot from those days :D Back then it was mainly squeezing the microphone with her knuckles white :D

Anything you would like to say to the readers of Metal From Finland?

Tanja: Lullacry is alive and well! People have asked a lot how things are going with the band during this so-called hiatus of ours. Looking back I am sure that this break was good in every sense. Like all things in life, everything has a meaning of some sort. We are focusing 100% on our new music at the moment. New songs are ready and I can personally say that there are awesome tunes coming your way! Check out www.lullacry.com from time to time for updates. See you on gigs and keep it heavy!

Sami: Everyone who’s capable come and see us on Dante’s Hightlight in Helsinki. We’ll be playing there on saturday 24th of July 2010. New songs are coming, I can guarantee you that. All well to all you creatures out there, take care of each other! See you on gigs!

More info about Lullacry:
www.lullacry.com
www.facebook.com/lullacryofficial
www.myspace.com/lullacry
www.metalfromfinland.com/Lullacry/

Tarja Turunen covering Whitesnake, this hurts!


I just had to write about this…usually I have nothing against bands covering other bands cause 99 out of 100 it is done out of respect and maybe even that poor 1/100 tries to do it out of respect too but fails miserably. And doing covers is always a good thing. But some laws should apply when doing them right? Ever since my teenage years (and it was a while ago!) I have been a huge Whitesnake fan and especially a huge David Coverdale fan. That man has a voice beyond understanding. There are very few of those that truly has a unique voice and besides Ronnie James Dio (R.I.P.) I think David Coverdale is one.

Now, what do you think happens when you try to cover Whitesnake? Especially a song like Still Of The Night? Well in most cases you fail of course. But what if you are a woman (nothing against women) and especially a soprano and try to cover Whitesnake and especially Still Of The Night? You make god damn ears bleed that’s what happens! You do NOT do that!

But Tarja Turunen did…now I love that gal and I think she’s awesome at what she does. But covering Whitesnake shouldn’t be one of those things. Below are 2 videos…first is the original Still Of The Night by Whitesnake and below that is the Tarja-version…knock yourselves out.

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